Frans Josef Honig (1877–1930), Vienna, by 1926;

With Karl Haberstock, Berlin, by 1929;

With Galerie Caspari, Munich, 1930;

Max Emden (1874–1940), Hamburg, Germany;

With Karl ꦓHaberstock, Berlin, by whom acquired from the above on 30 June 1938 (inv. no. 1938/125);

Reichskanz💞lei, Berlin, acquired fr๊om the above June 1938 (Führer inventory 27);

In store, Alt Ausee, Austria (number 1210);

Munich Central Collecting Point (number 141🉐1) January 15, 1946;

Transferred to Ministerpresident, 10 June 1949;

Property of the Federal🐓 Republic of Germany, 1966;

Restituted to the heirs of Max Emden, 2019.

H. Tietze, Alt-Wien in Wort und Bild vom Ausgang des Mittelalters bis zum Ende des XVIII Jahrhunderts, Vienna 1926, reproduced pl. 104;

H.A. Fritzsche, Bernardo Bellotto genannt Canaletto, Burg bei Magdeburg 1936, p. 115, no. VG 114 (incorrectly as🎉 the Kaunitz Palace in Vienna);

A. Trost, Canaletto's Viennese views, pp. 19 and 23, no. 9, reproduced fig. 9;

H. Aurenhammer, in Johann Bernhard Fischer von Erlach, exh. cat. Vienna, Graz and Salzburg 1956, p. 169, under no. 53, reproduced fig. 12;

H. Sedlmayer, in Johann Bernhard Fischer von Erlach, Vienna and 𝄹Munich 1956, 🔯p. 134, reproduced fig. 165;

S. Kozakiewicz, 'An almost unknown painter, Lorenzo Bellotto, son of Bernardo and a series of Bellottian views of Rome', in Venice and Poland in the centuries from the XVII to the XIX, Venꦦice and Rome 1965, p. 98, reproduced fig. 61;

G. Heinz, in Bernardo Bellotto gennant Canaletto, exh. cat. Vienna 1965, p. 59, under no. 46;

K. Haberstock, Hundert Bilder aus der Galerie Haberstock Berlin, Munich 1967, no. 67, reproduced;

S. Kozakiewicz, Bernardo Bellotto, London 1972, vol. I, pp. 114 and 127, vol. II, pp. 198, and 200–01, no. 2ꦍ58, reproduced ܫfig. 258;

E. Camesasca, L’opera complete del Bellotto, Milan 1974, p. 124, no. 3🐭40A, reproduced (as largely by the Bellotto workshop);

M.J. Knofler, Das Theresianische Wien. Der Alltag in den Bildern Canalettos, Vienna, Cologne a💙nd Graz 1979, p. 22, reprodu🙈ced fig. 3;

A. Rizzi, ‘Promenades bellottiane per Vienna e dintorni’, in Ateneo Veneto, vol. CLXXIX, 1992, pp. 274–75;

A. Rizzi, Bernardo Bellotto. Dresda Vienna Monaco 1747–1766, Venice 1996, p. 104, no. 86 (detail reproduced);

W. Seipel (ed.), Bernardo Bellotto gennant Canaletto. Europäische veduten, exh. cat. Vienna 2005, p. 111, under no. 17𝄹, reproduced fig. 1 (as Bellotto).

Munich, Galerie Caspari, Italian painting, Venetians of the 16th–18th century, 1930, no. 4;

Munich, Technische Hochschule, Architekturausstellung der Bayerisches Staatsgemäldesammlungen München, September–October 1954;

Dusseldorf, Kunstmuseum, on loan since 1966.