Possibly William George Cavendiꩵsh, 2nd Baron Chesham (1815–1882), 1868;

Trevor-Roper Curzon, Baron Teynham collection (their red wax seal on the reverse);

With Georges Wildenstein, New York;

Madame M.W.;

By whom sold, Paris, Galerie Charpentier, 10 December 195🌊9, lot 90 (as workshop of Ruben🎶s);

Dr Hans Wendland, Paris, 1964;

Heinz Kisters, Kreuzlingen;

Anonymous sale,&n༺bsp;Lucerne, Fischer, 12 June 1970, lot 508 (as Rubens);

Private collection, Zurich, 1989;

Anonymous sale, New York State, Stair Galleries Auctione🍌ers, 27 Apr♐il 2019, lot 466 (as after Rubens), where acquired.

Possibly M. Rooses, L'œuvre de P.P. Rubens, Antwerp 1890, vol. III, p. 143 (as exh🌠ibited in Leeds, 1ꦜ868);

G. Martin, The Flemish School 1600–1900, London 1970, p. 157;

J. Müller Hofstede, "Stolidi Iudicium Paridis": Zur Ikonologie des Parisurteils bei Peter

Paul Rubens, in 'Wallraf-Richartz-Jahrbuch', vol. 50, 1989, p. 183, reproduced fig. 14 (as Rubens, circa 1630–35);

L. Kopp, Das Urteil des Paris. Eine ikonologiesche Untersuchung des Paris-Mythos in

den Niederlanden des 17. Jahrunderts,𓂃 Karlsruhe 2017, pp. 36ꦏ9–70, cat. no. 117b (as

workshop of Rubens).

Possibly Leeds, National Exhibition of Works of Art, 1868, no. 820 (lent by Lord Chesham).