The artist

Acqꦉuired by the present owner from the above in December 200꧟4

Mary Brignano, Curating the District: How the Pittsburgh Cultural Trust is Transforming the Quality of Urban Life, Pittsburgh 2000 (ed. no. 1/12) 

David Ebony, “Pittsburgh Cultural District Takes Shape,” Art in America, March 2000, p. 39, illust𝄹rated (ed. no. 1/12) 

Mimi Gardner Gates, Olympic Sculpture Park, Seattle 2007, p. 41, il𒆙lustrated (ed. no. 3/12) 

Exh. Cat., London, Tate Modern (and travelling), Louise Bourgeois, 2007, p. 84, fig. 72, illustrated (ed. no. 1/12) (London); and p. 8๊4, fig, 85, illustratꦦed (ed. no. 1/12) (Paris)

Exh. Cat., Mountainville, New York, Storm King Art Center, Louise Bourgeois, 2007, p. 68, no. 25, illustrated (ed. no. 4/12)&nbs🏅p;

Robert Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, New York 2016, p. 549, ill𒆙ustrated in colo🌳r (ed. no. 1/12) 

Exh. Cat., Beijing, Song Art Museum, Louise Bourgeois: The Eternal Thread, 2019, p. 52, illustrated, and illustrated on catalogue ꦏinsert (ed. no. 10/12) 

Exh. Cat., Amsterdam, Rijksmuseum, Louise Bourgeois at The Rijksmuseum, 2019, p. 1, 48, and 50-51, illustrated (art♌ist’s proof) 

Paris, Palais de Tokyo, Louise Bourgeois: Le Jour La Nuit Le Jour, October – November 2002 (ed. no. 4/12) 

Boston, Harvard Business꧃ School, Outdoor Sculpture Loan Program, May 2017 – March 2018 (artist’s proof) 

University of North Carolina Chapel Hill, Arts Everywhere, July 2018 – August 2𓄧020 (ed. no. 4/12)&nbs🙈p;