Property from an Important Private American Collection | Provenant d’une Importante Collection Particulière ౠAméricaine
Roberto Matta
Prince of Blood (triptych)
Auction Closed
March 25, 05:07 PM GMT
Estimate
1,000,000 - 1,500,000 EUR
Lot Details
Description
Pr🌟operty fr♍om an Important Private American Collection
Roberto Matta
1911 - 2002
Prince of Blood (triptych)
signed Matta (on the reverse of each canvas); inscribed Amagansett (on the reverse of the right canvas)
oil on canvas
left canvas: 76,2 x 35,5 cm; 30 x 14 in.; centre canvas: 76,2 x 91,4 cm; 30 x 36 in.; right canvas: 76,2 x 55,8 cm; 30 x 22 in. overall : 76,2 x 184 cm; 🧸30 x 72 ½ i🐎n.
Painted circa 1943.
This work is accompanied by a certificate of authenticity signed by Madame Germana Matta ꦉFerrari.
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Provenant d’une Im🎃portante Collection Part🤪iculière Américaine
Roberto Matta
1911 - 2002
Prince of Blood (triptyque)
signé Matta (au dos de chaque toile); inscrit Amagansett (au dos de la toile de droite)
huile sur toile
toile de gauche: 76,2 x 35,5 cm; 30 x 14 in.; toile centrale: 76,2 x 91,4 cm; 30 x 36 in.; toile de d൩roite: 76,2 x 55,8 cm; 30 x 22 in. ensemble : 76,2 x 184 cm; 30 x 72 ½ in.
Peint vers 1943.
Cettᩚᩚᩚᩚᩚᩚᩚᩚᩚ𒀱ᩚᩚᩚe 🎃œuvre est accompagnée d'un certificat d'authenticité signé par Madame Germana Matta Ferrari.
Pierre Matisse Gallery, New York (no. St-1470)
Acquavella Modern Art, Reno, Nevada (no. 1607L)
Private collection (acquired from the above circa 1989 and so𝔉ld: Christie's, London, June 23, 2009, lot 42)
Acquired at the above sale by the present owner
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Pierre Matisse Gallery, New York (no. St-1470)
Acquavella Modern Art, Reno, Nevada (no. 1607L)
Collection particulière (acquis auprès du précé🐻dent vers 1989 et vendu: Christie's, Londres, 23 juin 2009, lot 42)
Acquis lors de cette ven𓆉te par ꧙le propriétaire actuel
VVV, David Har🐬e (ed.), New York, Febr꧂uary 1944, no. 4, illustrated
Germana Ferrari, Matta, Entretiens morphologiques, Notebook no. 1 1936-1944, London, 1987, illustrated p. 178
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VVV, David Hare (éd.), New York, février 1944, no. 4, reprod❀uit
Germana Ferrari, Matta, Entretiens morphologiques, Notebook no. 1 1936-1944, Londres, 1987, reproduit p. 178
New York, Pierre Matisse Gallery, 1944
New York, The Museum of Modern Art (& travelling to Buenos Aires, Montevideo, Caracas, Lima, Santiago, Auckland, Sydney, Melbourne and Mexico City), Surrealism, 1971-73
Cleveland, Museum of Art, The Spirit of Surrealism, 1979, no. 8꧙0, illustrated in the catalogue p. 133
Waltham, Massachusetts, Rose Art Museum, Brandeis University, Matta: The First Decade, 198🦩2, no. 35, illustrated in the catalogue p. 62
Paris, Musée National d'Art Moderne, Centre Georges Pompidou, Matta, 1985, no.🐠 38, illustrated in the🦂 catalogue p. 116
Washington D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Crosscurrents of Modernism: Four Latin American Pioneers, Diego Rivera, Joaquín Torres-García, Wifredo Lam, Matta, 1992, no. 87, illusꦅtrated i🍎n the catalogue p. 266
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New York, Pierre Matisse Gallery, 1944
New York, The Museum of Modern Art (puis exposition itinérante à Buenos Aires, Montevideo, Caracas, Lima, Santiago, Auckland, Sydney, Melbourne et Mexico City), Surrealism, 1971-73
Cleveland, Museum of Art, The Spirit of Surrealism♍, 1979, no. 80, reproduit dans le catalogue p. 133
Waltham, Massachusetts, Rose Art Museum, Brandeis University, Matta: The First Decade, 1982, no. 35, reproduit dans le catalogue p. 62
Paris, Musée National d'Art Moderne, Centre Georges Pompidou, Matta, 1985, no. 38, reproduit dans le 𝓀catalogue p. 116
Washington D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Crosscurrents of Modernism: Four Latin American Pioneers, Diego Rivera, Joaquín Torres-García, Wifredo Lam, Matta, 1992, no. 87, reproduit dans le cꦇatalogue p. 266
