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View full screen - View 1 of Lot 182. “Tessuto” Stained Glass Window.

Paolo Venini

“Tessuto” Stained Glass Window

Auction Closed

December 8, 09:48 PM GMT

Estimate

70,000 - 100,000 USD

Lot Details

Description

Paolo Venini

“Tessuto” Stained Glass Window


1956-1957

stained and mosaic glass, lacquered metal

116¼ x 47 in. (295.3 x 119.4 cm), framed

Museo Venini: The Historical Collection of the Venini Company, Murano
Private Collection
Acquired from the above by the present owner
Domus, no. 333, August 1957, pp. 47-49 (for related examples)
Venedig zeigt glas aus Murano, exh. cat., Museum für Angewandte Kunst, Vienna, 1958, n.p. (for a related example)
Domus, no. 335, June 1957, pp. 47-49
Alessandro Bettagno, Gli Artisti di Venini: Per Una Storia Del Vetro d'Arte Veneziano, Milan, 1996, no. 203 (for a related example)
Anna Venini Diaz De Santillana, Venini: Catalogue Raisonné 1921-1986, Milan, 2000, no. 88 (for a related example)
Franco Deboni, Venini Glass, Catalogue 1921-2007, Turin, 2007, pl. 260 (for a related example)
Marino Barovier and Carla Sonego, eds., Paolo Venini and his Furnace, exh. cat., Le Stanze del Vetro, Milan, 2016, pp. 321, 323 and 325 (for related examples)
Helmut Ricke and Eva Schmitt, Italian Glass Murano-Milan 1930-1970, Munich, 1997, p. 155 (for a related example)
XI Triennale di Milano, Milan, 1957
Biennale Internazionale d'Arte,
Venice, 1958
Venedig zeigt Glas aus Murano, 
Vienna, 1958
Expo 58, Brussels, 1958
Biennale Internazionale d'Arte,
 Venice, 1960 
Paolo Venini and His Furnace, Fondazione Giorgio Cini Venezia, Venice, 2016

This lot is offered ꦗtogether with a ce🃏rtificate of authenticity from Venini, Murano.


Windows, or rather stained-glass panels by Paolo Venini are exceedingly rare. The production at the time was expensive🤡 and time consuming, as all panels were blown by hand, an undertaking which required time and great skill by the glass blowers.


The idea of stained glass came to Paolo Venini during a trip to the Greek island of Delos while observing the structure of ancient walls and the pattern of bark of palm trees. These windows of abstract design, combined mosaic glass panes, sometimes with single-colored glass elements or tessuto glass canes. The windows were created for either domestic or commercial spaces, sometimes with the involvement of important contemporary architects, like Oscar Storonov, B.B.P.R. and Franco Albini. In 1957 an important exhibition of Paolo Venini’s windows took place during the 11th Milan Triennale, where they received critical acclaim.


The present window is composed of stained glass with undulating bands and panes in mosaic glass with a tessuto of fine red, pagliesco (straw colored), ametista (amethyst) and lattimo canes. It is similar in design to the window produced for the headquarters of the Burgo paper mill in Turin in 1957 and now in the private collection of Francesco Carraro in Venice. Another example, in mosaic glass panes and tessuto, with a coloration of zaffiro (sapphire), pagliesco (straw-coloured) and light-blue and lattimo canes can be found in the collection of The Corning Glas𓄧s Museum, Corning New York.