The first documented owner of this painting, George A. Hearn, was a New York businessman, collector, and Trustee of and prolific donor to the Metropolitan Museum. He gave the present lot, at the time believed to be a work by Sir Peter Lely, to the museum in 1909 as part of a major gift of 50 paintings, many of which still hang there.¹ His collection was renowned for its diver🐟sity and breadth; although he donated or financed over 130 paintings for the museum, no more than four were by the same artist.

While the attribution to Lely can no longer be supported, this portrait is a characteristic work of Jan de Baen, who was trained by his uncle Hynderk Pyman in Emden before relocating to Amsterdam and later The Hague. De Baen was the court painter for Berlin, although he never traveled there, and, according to Arnold Houbraken, was invited in 1666 to London to paint Lord Killigre👍w and King Charles II. His elegant portrait style is clearly influenced by Van Dyck and  Lely and was popular among wealthy merchants in the trade centers of Holland in the second half of the seventeenth🎃 century.

1. See MMA bulletin on the George 𝓀A. Hearn gift of 1909: