Property from a Distinguished Private Collection
The Master of Marradi
The Deat🐷h of Lucretia at the Banquet of Lucius Junius Brutus
Auction Closed
January 28, 04:44 PM GMT
Estimate
400,000 - 600,000 USD
Lot Details
Description
Property from a Distinguished Private Collection
The Master of Marradi
active in Florence du🧸ring the second half of the 15th Century
The Death of Lucretia at the Banquet of Lucius Junius Brutus
oil and tempera on panel
15 ⅞ x 22 ⅜ in.; 40.3 🌼by 56.8 cm.
Please note that there is a guarantee and an irrevocable bid on this lot.
Alexis-François Artaud de Montor, Paris, by 1811;
His sale, Paris, Hotel Ventes Mobilières, 16-17 January 1851, lot nos 98-100 (as Andrea Orcagna, along with two companion panels);
There acquired by Louisville (according to Ebersman);
James-Alexandre, Comte de Pourtalès-Gorgier, Paris;
His sale, Paris, Hôtel Drouot, 21-22 February 1867, lot 230 (as Orcagna, along with two companion panels);
Claude Lafontaine, Paris;
By whom sold, Paris, Palais Galliera, 10 April 1962, lot 9 (as school of Benozzo Gozzoli);
With Wildenstein, New York, by 1977 (according to the Zeri website);
Private collection, New York;
With Hall & Knight, New York;
From whom acquired, 2002.
His sale, Paris, Hotel Ventes Mobilières, 16-17 January 1851, lot nos 98-100 (as Andrea Orcagna, along with two companion panels);
There acquired by Louisville (according to Ebersman);
James-Alexandre, Comte de Pourtalès-Gorgier, Paris;
His sale, Paris, Hôtel Drouot, 21-22 February 1867, lot 230 (as Orcagna, along with two companion panels);
Claude Lafontaine, Paris;
By whom sold, Paris, Palais Galliera, 10 April 1962, lot 9 (as school of Benozzo Gozzoli);
With Wildenstein, New York, by 1977 (according to the Zeri website);
Private collection, New York;
With Hall & Knight, New York;
From whom acquired, 2002.
A-F. Artaud de Montor, Considerations sur l'état de la peinture en Italie dans le quatre siècles qui ont précédé celui de Raphael, 1811, pp. 94-97 (as Andrea Orcagna);
A-F. Artaud de Montor, Peintres primitifs: Collection de tableaux rapportée d'Italie, Paris 1843, pp. 41-42 (as Andrea Orcagna);
P. Schubring, Cassoni: Truben und Truhenbilder der italienischen Frührenaissance. ein Beitrag zur Profanenmalerei im Quatrrocento, Leipzig 1915, p. 278, cat. nos. 261-163;
F. Zeri, "La Mostra 'Arte in Valdesa' a Certoldo," in Bolletino d'Arte 48 (1963): pp. 245-48 (as by the same author as a group of panels in Marradi);
Ebersman, Artaud de Montor and the Italian Primitives, MA Thesis, New York University, Institute of Fine Arts, 1966, vol II, p. 239;
G. Szabo, The Robert Lehman Collection, New York 1975, pp. 67-68;
E. Fahy, Some Followers of Domenico Ghirlandajo, 1976, p. 183 (as Master of Marradi; missing);
J. Pope-Hennessy, Italian Paintings in the Robert Lehman Collection, New York 1987, p. 194, reproduced p. 314, fig. 79 (as Master of Marradi).
A-F. Artaud de Montor, Peintres primitifs: Collection de tableaux rapportée d'Italie, Paris 1843, pp. 41-42 (as Andrea Orcagna);
P. Schubring, Cassoni: Truben und Truhenbilder der italienischen Frührenaissance. ein Beitrag zur Profanenmalerei im Quatrrocento, Leipzig 1915, p. 278, cat. nos. 261-163;
F. Zeri, "La Mostra 'Arte in Valdesa' a Certoldo," in Bolletino d'Arte 48 (1963): pp. 245-48 (as by the same author as a group of panels in Marradi);
Ebersman, Artaud de Montor and the Italian Primitives, MA Thesis, New York University, Institute of Fine Arts, 1966, vol II, p. 239;
G. Szabo, The Robert Lehman Collection, New York 1975, pp. 67-68;
E. Fahy, Some Followers of Domenico Ghirlandajo, 1976, p. 183 (as Master of Marradi; missing);
J. Pope-Hennessy, Italian Paintings in the Robert Lehman Collection, New York 1987, p. 194, reproduced p. 314, fig. 79 (as Master of Marradi).