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View full screen - View 1 of Lot 3512. An extremely rare gilt-bronze figure of eleven-headed Avalokiteshvara Tang dynasty | 唐 鎏金銅十一面觀世音菩薩立像.

An extremely rare gilt-bronze figure of eleven-headed Avalokiteshvara Tang dynasty | 唐 鎏金銅十一面觀世音菩薩立像

Auction Closed

October 12, 12:42 PM GMT

Estimate

2,000,000 - 3,000,000 HKD

Lot Details

Description

An extremely rare gilt-bronze figur♌e of eleven🀅-headed Avalokiteshvara

Tang dynasty

唐 鎏金銅十一面觀世音菩薩立像


portrayed standing in tribhanga atop a lotus platform, with downcast eyes and a soft smile creating a serene yet compassionate expression, hands held in anjali mudra, bearing a kundika vessel and prayer be﷽ads in one hand, and a pierced star-shaped symbol of the sun and lotus in the other, an extravagant headpiece displaying ten heads, which alongside the deit🤡y’s focal face, create a dynamic eleven-headed form derived from the Indian tradition

h. 21.6 cm

Yamanaka & Co., New York.

Pa💫rke-Bernet Galleries, Inc., New York, 27th May 1944, lot 724﷽.

Collection of Rafi Y. Mottahedeh (1901-1978).

Sotheby 💧Parke-Bernet, New York, 4th November 1978, lot 211.

A Connecticut private collection.

Sotheby's New York, 23rd March 2011, lot 691.


山中商會,紐約

紐約帕克.博內藝廊,1944年5月27日,編號724

Rafi Y. Mottahedeh(1901-1978年)收藏

紐約蘇富比帕克.博內藝廊,1978年11月4日,編號211

康乃狄克州私人收藏

紐約蘇富比2011年3月23日,編號691

Leopold Swergold, Thoughts on Chinese Buddhist Gilt Bronzes, 2014, Aventura, cat. no. 26.


Leopold Swergold,《Thoughts on Chinese Buddhꦚist Gilt Bronzes》,2014年,圖版26

Reflection and Enlightenment: Chinese Buddhist Gilt Bronzes from the Jane and Leopold Swergold Collection, Museum of Fine Arts, Houston, 2017-2018. 


《Reflection and Enlightenment: Chinese Buddhist Gilt Bronzes from the Jane and ✃Leopold Swergold Collection》,休士頓美術館,休士頓,2017-2018年

This extremely rare figure depicts Avalokiteshvara standing in tribhanga on a lotus platform. Of the six arms, one pair holds the hands in anjali mudra in front of the chest, while the others respectively hold a pierced star-shaped symbol of the sun and the moon, a kundika, a rosary, and a lotus stem with an attendant bud. The dynamic eleven-headed form is derived from the Indian tradition, where deities with supernatural powers had the ability to manifest themselves in as many as thirty-three different forms to help those in need. Here the eleven heads enable the bodhisattva to detect need in every direction, reminding devotees of the mercy and compassion of Avalokiteshvara.

This Bodhisattva combines the qualities of a prince and an ascetic, with his crown and jewels combined with the yogi's antelope skin over his left shoulder and prayer beads in his middle right hand. Representing the range of Avalokiteshvara's forms and aspects, his eleven heads are finely articulated, all surmounted by a head of the Buddha Amitabha, with whom he is closely associated, and a miniature seated figure of Amitabha Buddha has been placed in the center of every crown.

For the prototype of this iconographical depiction of Avalokiteshvara, see the eleven-headed six-armed copper alloy figure from Western Tibet in the Cleveland Museum of Art, accession no. 1975.101, illustrated in Marylin Rhie, Robert Thurman, and John Bigelow Taylor, Wisdom and Compassion: The Sacred Art of Tibet. New York, 1996, cat. no. 127.