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View full screen - View 1 of Lot 179. Entrevue d'Éléonore de Guyenne avec le Sultan d'Iconie.

Property from a Distinguished American Collection

Jean Antoine Laurent

Entrevue d'Éléonore de Guyenne avec le Sultan d'Iconie

Lot Closed

July 13, 03:14 PM GMT

Estimate

60,000 - 80,000 GBP

Lot Details

Description

Property from a Distinguished American Collection

Jean Antoine Laurent

French

1763 - 1832

Entrevue d'Éléonore de Guyenne avec le Sultan d'Iconie


signed and dated J. A. Laurent / 1822 lower left

oil on canvas

Unframed: 66 by 55cm., 26 by 21½in.

Framed: 85 by 75cm., 33½ by 29½in.

Sale: Sotheby's, London, 13 October 1999, lot 99
Purchased at the above sale by the present owner 
Paris, Salon, 1822, no. 787 (with the commentary: 'Raymond, Prince of Antioch, uncle of this queen, having reason to complain against her husband, Louis, and wishing to seek revenge, proposed to Éléonore a new marriage to the Sultan of Iconia, on condition that the latter have himself baptized and enter an alliance with Raymond. Louis, informed of the plot by his loyal servants, foiled this intrigue, and had his queen extricated from the affair when she least expected it.')

Eleanor of Guyenne was one of the wealthiest and most powerful women in Europe during the High Middle Ages. She was Queen of France from 1137 to 1152 as the wife of King Louis VII, Queen of England from 1154 to 1189 as the wife of King Henry II, and Duchess of Aquitaine in her own right from 1137 until her death in 1204. As Queen of France, Eleanor participated in the unsuccessful Second Crusade, undertaken to protect thཧe Kingdom of Jerusalem. Whilst contemporary sources praise Eleano🐟r’s beauty, her political achievements were often overlooked. She was able to secure an important trade deal with Constantinople while staying in what was then the capital of the Byzantine Empire.


Laurent’s training as a porcelaꦬin and miniature painter informed the handling of his later troubadour works, of which the present work is a fine example. Hailed by Vivant-Denon in 1804 as a painter of 'very delicate and very distꦏinguished talent', Laurent typically drew his subjects from French medieval and Renaissance history.