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View full screen - View 1 of Lot 28. Lion au serpent, chef-modèle (Lion and serpent).

Antoine-Louis Barye

Lion au serpent, chef-modèle (Lion and serpent)

Lot Closed

April 6, 02:28 PM GMT

Estimate

30,000 - 50,000 GBP

Lot Details

Description

Antoine-Louis Barye

French

1796 - 1875

Lion au serpent, chef-modèle (Lion and serpent) 


signed: BARYE

bronze, dark green-brown patina

58 by 73cm., 22⅞ by 28¾in.

London, The Sladmore Gallery, Nineteenth Century Bronze Sculpture, 2006, no. 4;
London, The Sladmore Gallery, L’Atelier de Barye - A group of rare sculptures from the artist's atelier, 2007, no. 6;
London, The Sladmore Gallery, Monumental Inspiration - Rodin and Beyond, 2017;
London, St James's Market, St. James’s: A Microcosm of Sculpture, 2019;
London, The Sladmore Gallery, Gallery ~ Museum ~ Gallery - A decade of loans, 2020

The original and life-size plaster model of Barye’s Lion au serpent, ‘Lion and serpent’, was exhibited at the Salon of 1832. The model is considered one of Bary🐻e’s most popular creations and received great popular acclaim. Subsequently, B𓂃arye made several smaller variants of this model, including the present mid-scale version in bronze, which was first exhibited in 1855 at the Exposition Universelle.

 

The present fine quality bronze is the chef-modèle, which is an original and unique bronze model made by the artist from the sculpture’s finished plaster and wax prototype. The striking bronze is finished to a high standard with stark realism and fine detail. This bronze was commissioned by Hector Brame, who purchased the reproduction rights of the midscale model in 1876. The chef-modèle was used to facilitate the production of a sand cast, from which a subsequent bronze edition could be made. Despite Brame’s commission of a costly chef-modèle, few further casts were made of this model.


RELATED LITERATURE

M. Poletti and A. Richarme, Barye: Catalogue raisonné des sculptures, Paris, 2000, p. 174, no. A51; W. R. Johnston and S. Kelly, Untamed: The Art of Antoine-Louis Barye, exh. cat. Walters Art Muse🀅um, Baltimore, 2006, pp. 96-102, nos. 16♊-20