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View full screen - View 1 of Lot 39. Place de la Trinité.

A Vision of Arcadia: An Important English Pr🏅ivate Collection

Pierre-Auguste Renoir

Place de la Trinité

Auction Closed

November 14, 01:23 AM GMT

Estimate

2,500,000 - 3,500,000 USD

Lot Details

Description

A Vision of Arcadia:꧋ An Important English Private Collection

Pierre-Auguste Renoir

1841 - 1919


Place de la Trinité

signed Renoir. (lower left)

oil on canvas

20 ⅛ by 24 ⅝ in. 51 by 62.7 cm.

Executed circa 1878.


This work will be included in the forthcoming Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of꧃ the Wildenstein Plattner Institute, Inc.

Dr. Georges de Bellio, Paris (probably acquired dire🦋ctly from the artist)

Victorine Donop de Monchy, Parisꦗ (acquired by descent from the above in 1894)

Lucien Moline, Paris

Gustave🎀 Fayet, Igny (acquired from the above in 1903)

Madeleine Fayet, Igny (acquired by descent from t🍎he above in 1925)

Paul Rosenbꦯerg, Paris (acquired from the a๊bove in 1928)

Alvan T. Fuller, Massachusetts (acquired by 1935)

Mrs. Alvan T. Fuller, Massach🐽usetts (acquired by descent from the abovꦚe in 1958)

Alvan T. Fuller Jr., New Hampshire (acquired by descent from t🎀he above in 🧔1959)

Wildenstein &⛄amp; Co., New York (acquired from the above in 1ꦑ972)

Private Collection, Switzerland (a🌳cquired from the above in 1980)

Sale: Sotheby's, Lo𓆏ndon, 2 December 1986, lot 20

Private Collection, Los Angeles (acquired🍸 at the above s🗹ale)

Acquired from the above by the pre💞se🎶nt owner in 2002

Jean-Gabriel Goulinat, "Les Collections Gustave Fayet," L'Amour de l'Art, April 1925, no. 4, p. 136

Remus Niculescu, "Georges de Bellio, L'ami des Impressionistes (II)," Paragone, vol. XXI, no. 249, November 1970, no. 120, p. 69 (dated circa 1875)

Elda Fezzi, L'Opera completa di Renoir nel periodo impressionista 1869-1883, Milan, 1972, no. 196, p. 97, illustrated (titled Piazza di Parigi and dated 1875)

Sophie Monneret, L'Impressionnisme et son époque, Paris, 1978-81, vol. 1, pp. 68 and 209; vol. 2, p. 170; vol. 4, p. 96 (dated circa 1875)

Daniel Wildenstein, Renoir, Paris, 1980, p. 20ꦓ, illustrated in color; p. 49, illustrated (dated 1875)

Sophie Monneret, Renoir, Paris, 1994🦋, no. 181, p. 97, illustrated (dated 1875)

Guy-Patrice and Michel Dauberville, Renoir, Catalogue Raisonné des tableaux, pastels, dessins et aquarelles, 1858-1881, vol. I, Paris, 🌃2007, no. 185, p. 23🦄3 (dated 1875)

Exh. Cat., London, The National Gallery; Ottawa, The National Gallery of Canada and Philadelphia Museum of Art, Renoir Landscapes, 1865-1883, 2007-08, p. 160, illustrated in൩ c𝔉olor (dated 1875)

Stéphane Guibourgé, Alexandre d'Andoque and Magali Rougeot, Gustave Fayet, L'oeil souverain, Pꦇaris, 2015, pp. 1😼23 and 212 dated 1875)

Boston, Museum of Fine Arts, Independent Painters of Nineteenth Century Paris, 1935, no. 43, illustrated (dated 1875)

Boston, Museum of Fine Arts, Art in New England, Paintings, Drawings, Prints from Private Collections in New England, 1939, no. 102, illustrated (dated circa 1879)

New York, Duveen Galleries, Renoir, Centennial Loan Exhibition 1841-1941 for the Benefit of the Free French Relief Committee, 1941, no. 12, illustrated (titled Place de la Trinité, Paris)

Boston, Museum of Fine Arts, A Memorial Exhibition of the Collection of the Honorable Alvan T. Fuller, 1959, no. 38, illustrated (dated circa 1879)

New York, Wildenstein & Co., Renoir, The Gentle Rebel, 1974, no. 17, illustrated (dated 1875)