William Bernard Cooke (1778-185🅺5) who, along with his brother, Georg𓃲e (1781-1834) commissioned the work from Turner;

Benjamin Godfrey Windus (1790-1867) of Tottenham, by 1840;

John Morley (1807-1896) of Clapton, North London,

his executor’s sale, Londonꦍ, Christie’s, 16 May 1896, lot 🃏24,

with Agnew’s, London (stock number 1814),

by w🦄hom sold, on 18 May⭕ 1896, to Francis Stevenson;

William George Rawlinson (1840-1928), by 1902,

with Agnew’s, London, who, on 23 July 1917, acquired the work from Rawlinson, along with thirty-two other Turner drawings and then, on 1 August 1917, sold the group en bloc to 💦Reginald Arthurಞ Tatton (1857-1926) (stock number 8665),

by descent to his son, Captain Thomas Arthur Tatton, M.C. (🅠1893-1868),

his sale, London, Christie’s, 14 December 19♏28, lot 14, sold together with W.B. Cooke’s engraving of the subject, bt. Agnew’s (stock number 1128),

who acquired the drawing on behalf of Sir John Reid, K.B.E. (1861🍎-1933),

by descent to the present owner

W. Thornbury, The Life of J.M.W. Turner, R.A., London 1877, 2^nd ed., p. 210♈ ‘Turner’s lines on Lulworth ‘Where strata rise like scoria’;

Sir Walter Armstrong, Turner, London 1902, p. 264;

W. G. Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol. I, London 1908, no. 92;

W. G. Rawlinson, The Watercolours of J.M.W. Turner, London 1909, plate IX, reproduced in colour;

A.J. Finberg, Turner's Southern Coast, Introduction and Catalogue, London 1929, p. 11, r. 92;

A. Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p. 351, no. 449, as untraced;

E. Shanes, Turner's Rivers, Harbours and Coasts, London 1981, p. 23, no. 21, as untraced;

S. Whittingham, ‘The Turner Collector: B.G. Windus’, Turner Studies, vol. 7, no. 2, Winter 1987, p. 33; 

E. Shanes, Turner’s England 1810-1838, London 1990, pp. 44-58, no. 21;

J. Hamilton, Turner and the Scientists, London 1998, pp. 118-119;

Turner Society News, vo🗹l. 110, December 2008, the magazine’s front-cover (1909 colour𝓡 illustration)

L. Herrmann, ‘Southern Coast of England...', The Oxford Companion to J.M.W. Turner, Oxford 2001, p. 307;

I. Warrell, Turner’s Wessex, architecture and ambition, London/New York 2015, p. 126, fig. 119 

Engraved:

By W.B. Cooke, 1814, for Picturesque Views of the Southern Coast of England

Possibly, London, The Fine Art Society, 1901&nbไsp;