Jacques Goudsti♊kker, Amsterdam, by December 1919 (as Rubens);

Fr🍬om whom acquired by Thomas Agnew & Sons, London, 13 July 1923 (as Rubens);

From whom 𓂃acquired by Franz Koenigs, Haarlem, 9 March 1928 (by whom lent to the Museum Boijmans , Rotterdam, fr𝔍om 1935–40);

Lisser & Rosenkranz🎀 Bank, by 1 June 1935 when ownership transferred as collateral for a loan;

With Jacꦫques Goudstikker, Amsterdam, 19 April 1940 (on consignment alongside 34 other works from Lisser & Rosenkranz Bank);

Alois Miedl, Amsterdam, by ea💮rly June 1940 (acquired together with 30 other paintings through the mediation of Jacques Goudstikker Kunsthandel NV aft🦂er the occupation of The Netherlands on 10 May 1940);

By repute, Hermann Göring, Berlin;

Private collection, Switzerland, 1965;

Dr F. Schöni, Zurich, 1974 (as Rubens);

Georg Schäfer, Schweinfurt;

By whom sold (‘From the Collectio🐭n of Georg Schaefer, Schweinfurt’), London, Christie’s, 7 July 1978, lot 166 (as attributed to Rubens, ‘P.P. Rubens’);

Where acquired by a private collector;

Thence by descent to the present owners.

Catalogue de la Collection Goudstikker d'Amsterdam, Amsterdam 1919, no. 63, reproduced (as Rubens);

The Burlington Magazine, vol. 46, no. 264, March 1925, p. xxxv🎶ii, reproduced (as Rubens);

C. Sterling, Rubens et son Temps, exh. cat., Paris 1936, p. 115, under no. 58 (as Rubens, dated circa 1616);

J. Burckhardt, Rubens, Vienna 1937, reproduced pl. 49 (as Rubens);

L. Burchard and W. Burchard (ed.), 'Jordaens Head-Studies wrongly attributed to Rubens', in Bulletin des Musés Royaux des Beaux-Arts, 1960, nos 3–4, pp. 175ff. (as Jordaens);

D.C. Rich, 'Head of a girl – a Study by Jordaens,' in Worcester Art Museum Bulletin and Calendar, 1964, XXIX, no. 7, np (as Jordaens);

L. van Puyvelde in Le Siècle de Rubens, exh. cat., Musées Royaux des Beaux-Arts, Brussels, Brussels 1965, pp. 197–8, no. 208, reproduced (as Rubens, dated circa 1614–1615);

M. Jaffé, Jordaens, exh. cat., National Gallery of Canada,🐠 Ottawa, Ottawa 1968, p. ꧒152, under no. 33 (as Jordaens);

E. Haverkamp-Begemann, in European Paintings in the Collection of the Worcester Art Museum, Worcester 1974, pp. 181–83 (as Jordaens);

E. Larsen, Seventeenth Century Flemish Paintings, Freren 1985, pp. 84, 111, 355, reproduc⛎ed pl. 12 (as Rubens);

N. van Hout, Rubens: Study Heads and Anatomical Studies, Study Heads, London and Turnhout 2020, vol. I, p. 55 n. 147.

Amsterdam, Maatschappij voor beeldende kunsten, Collection Goudstikker d'Amsterdam, 14 December 🔥19🎀19 – 4 January 1920, no. 63 (as Rubens).

London, Thomas Agnew & Sons, ♛1925 (as Rubens);

Amsterdam, Goudstikker, Rubenstentoonstelling, 1933, no. 55, reproduꦫced (as R🍌ubens, with incorrect measurements, lent by Frans Koenigs);

Rotterdam, Boijmans Museum, Verzameling F. Koenigs Schilderijen, 1935, no. 39, reproduced (as Rubens);

Brussels, Musées Royaux des Beaux-Arts, Le Siècle de Rubens, 15 October – 12 December 1965, no. 208, reproduced (as Rubens, dated circa 1614–15).