Auction Closed
January 30, 06:14 PM GMT
Estimate
50,000 - 80,000 USD
Lot Details
Description
the silver-gilt end chased and embossed with a stag, a doe and a boar hiding amongst foliage, the base engraved with the arms of Törring, Bavaria, within plumes of foliage, marked on the rim, with maker's mark and city mark
length 85 1/2 in.; 217 cm
The arms are those of Von Preysing impaling von Torring under a Marquess’s coronet, probably for Maximilian 11 Franz von Preysing, Comte de Preysing-Hohenaschau (1647-1718) and his wife Maria Anna Adelheid von Torring, Comtesse von Torring zu Seefeld (1651-1699) whom he married February 18 1671. Tracing their family back to the 8th century, Von Preysing belonged to the titled nobility of the Holy Roman Empire. Von Torring were Counts of the Holy Roman Empire and Standesherren of the kingdoms of Ba𓃲vavia and Wurtemberg, tracing back to 947, created Imperial Baron in 1566 and in 1630 Count of the Holy Roman Empire. A branch of Toerring-Jetterbach, legal successors of the Standesherren de Gutenzell in Bavavia and Wurtemberg with the honorific title of Son Altesse Illustrissime.
Believed to be imbued with magical and curative powers, the tusk of was na⛎rwhal was thought to be that of a unicorn until the 1600s, and was highly prized. On the death of Lorenzo de Medici ꧃in 1492, his "unicorn horn" was valued at 6,000 florins. Queen Elizabeth paid 10,000 pounds for one, the value of a castle, and another forms part of the Royal Sceptre. In 1615 a narwhal horn was used for the sceptre in the Austrian Crown Jewels.
By the beginning of the 17th century, naturalists familiar with marine life were able to correctly identify the horn as that of "the unicorn of the arctic seas," the narwhal. However, when the Coronation Chair of the Kings of Denmark was created between 1669 and 1671, thus contemporary wi✅th the mounting on this example, it was still described as being made of "unicorn hor🗹n;" the chair is preserved in the collections at Rosenberg Castle.
The silver maker's mark is not clear but may be for a member of the Oxner family of Munich, of whom Franz Oxner, master 1647-1688 (R🧸osenberg 3 no.3504) made secular and religious silver. Johann Georg Oxner I (Rosenberg 3 no. 3516), master 1677-1712, also produced secular and church silver. Both were court goldsmiths to the Electors of Bavaria♔ in Munich.
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