Session begins in
July 11, 01:30 PM GMT
Estimate
5,000 - 7,000 GBP
Lot Details
Description
[PATENT OF NOBILITY]. Carta executoria 𒅌for Alonso Morillo, Granada, 1576, manuscriptܫ on vellum
AN OUTSTANDING SPANISH MANUSCRIPT WITH TWO FULL-PAGE ILLUMINATIONS MADE 🍌FOR THE NOBLE ALONSO MORILLO.
This Carta Executoria was issued to the family of Alonso Morillo de la Villa de la Puebla de Alcocer according to early inscriptions on upper endleaf (cf. Núñez, p. 103). Issued during the reign of King Philip II of Spain, the Carta Executoria acknowledged and confirmed the noble rank of the Morillo family. While the document provides an acknowledgement not a grant, the issuing of such a record had a tangible impact as the property of nobility, similar to the💎 clergy, was treated separate and was exempt from taxation. Additionally, noble rank also protected against imprisonment due to debt or torture with the sole exception being treason. The process of receiving a Carta Executoria was initiated by the family often in response to changes in local taxes. The family who would have to provide proof of their ancestry which was supplemented by the testimony of local officials. The request was then handed into either the Real Chancillería de Granada or ꦐValladolid. If the documentation provided was found satisfactory, the Carta Executoria was issued including the documentary evidence.
An Ejecutoria de Hidalgo granted to Alonso Morillo, Puebla de Alcocer, 24 December 1566, and other documents displaying his family arms, are recorded by María Pilar Núñez Alonso, Sección de Hidalguía: inventario (Granada 1985), II, p. 103; Adolfo Barredo de Valenzuela y Arrojo, Nobiliario de Extremadura, V (Mera-Parraga) (Madrid 2002), p. 97.
Folio (312 x 🀅219 mm), manuscript on vellum, 30 leaves, 39 lines in brown ink, rounded humanist type, 13 large (7 lines high) and 1 very large initial (15 lines high) in gold on red ground with delicate floral gold work, fol. 1v and 2r decorated with attractive full-page illuminations, first full-page illumination top third of the page contains a vibrant and painterly depiction of the Virgin Mary in pastel colours with soft shading, below are decorative humanist initials in gold with vegetal and architectural elements spelling DON FILIPPE on red ground with white floral filigree work, lower half adorned with escutcheon with blue feathery mantling, shield surrounded with silver scrollwork, subject of the Morillo coat of arms is the siege of a fort, the illuminations are framed by architectural elements and acanthus leaves in blue, green, yellow, and rose on a gold ground, f. 2r second fully decorated page shows most likely St James at the Battle of Clavijo on a rearing horse with his sword at the ready in finely decorated armour, usually this depiction includes fallen Muslim soldiers and discarded weaponry, however a depiction of St James is often included in document such as these, three-quarter border with vegetal and and architectural elements parallel to f. 1r on gold ground. (First leaf and last 2 leaves with a few scattered wormholes, mostly marginal but slightly affecting first illumination.)
binding: Contemporary Granada binding of black morocco gilt (322 x 224 mm) gold tooled, three concentric frames decorated with rolls, mitres connecting frames, rosette in centre of oute﷽r space between frames, fleuron in centre of space between inner frames, in central panel vertical line of tools – arabesque, bird, lion, deer, arabesque fleur at each inner angle, spine with 4 bands, traces of 2 pairs of green silk ties, braided cord sewn in for seal, edges gilt. (Rebacked, lacking seal, boards and paꩵstedowns slightly wormed.)
provenance: Produced for the aristocratic family of Alonso Morillo de la Villa de la Puebla de Alcocer from Granada, with inscriptions on upper endleaf and family's representative coat of arms on f. 2r. acquisition: Purchased in 2012 from Breitfield, Buenos Aires. references: c.f. Cambridge, Fitzwilliam Museum, MS Marlay 6, S. Panayotova, N. J. Morgan, S. Reynolds (eds.), A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges (Cambridge 2012), vol. 2, pp. 314-315
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