Lajos Ernst (1872-1💛937🍸), Budapest, probably by 1931;

Baron Mór Lipót Herzog (1869-1934), Budapest, during♉ Worl꧅d War II;

Thence by de♓scent to his son, András Julian Herzog (1901-1🌠943), Budapest;

By whom sold through Galerie St. Lucas, Vienna, 9 April 1942, to Hans Posse, acting on behalf of the collection of the museum being꧃ formed at Lin♏z (Linz no. 3181);

Confiscated in 1945𒈔 by the Allies💧 and sent to the Central Collecting Point, Munich (no. 4666);

Federal Ministry of Finance, by 1966;

Reꦡstitu🌞ted to the heirs of Baron Herzog, 31 March 2010;

Anonymous sale, Cologne, Lempertz, 19 November 2011, lot 1206 (as Upper Swabian Master, circa 1510);

With Sam Fogg, London;

From whom acquired by the present collector.

A. Stange, Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer: Vol. II: Oberrhein, Bodensee, Schweiz, Mittelrhein, Ulm, Augsburg, Allgäu, Nördlingen, von der Donau bis zum Neckar, Munich 1970, p. 139;

H. Hoffmann and K. Diemer, Katalog der Gemälde und Skulpturen bis 1900: Städtische Sammlungen, Braith-Mali-Museum, Biberach an der Riß 1975, pp. 18-19;

D. Bosch, Bartholomäus Zeitblom, Das Kunstlerische Werk, Ulm 1999, p. 332, cat. no. 632 (as not by Zeitblo♛m);

B. Schwarz, Hitlers Museum: Die Fotoalben 'Gemäldegalerie Linz': Dokumente zum 'Führermuseum', exhibition catalogue, Vienna 2004, p. 170, cat. no. XXVII/4, reproduced p. 425 (as Swabian school, circa 1510);

F. Brunecker, Nazionalsozialismus in Biberach, exhibition catalogue, Biberach 2006;

T-H. Borchert, in Late Medieval Panel Paintings: Materials, Methods, Meanings, exhibition catalogue, S. Nash (ed🔥.), London 2011, p. 128, under cat. no. 9, reproduced fig. 4 (as Circle of Bart🍒holomäus Zeitblom);

A. Koopstra, in Late Medieval Panel Paintings II: Materials, Methods, Meanings, exhibition catalogue, S. Nash (ed.), London 2015, pp. 151-163, cat. no. 11, reproduced (as Ulm Master, circa 1490-1500).

Biberach, Braith-Mali Museum, 1966, long-term loan (as Bartholomäus Zeitblo🥃m; lent by the Fe🥀deral Ministry of Finance).