Proper🦂ty of The Bassꦜ, Miami Beach to benefit the John and Johanna Bass Art Acquisition Fund
Marcellus Coffermans
Triptych: Madonna and 🍌Child with Saint Joseph and an Angel (center); Archangel Michael (l𝓡eft); Saint Bartholomew (right)
Auction Closed
February 6, 04:38 PM GMT
Estimate
200,000 - 300,000 USD
Lot Details
Description
Property of The Bꦍass, Miami Beach to benefit the John and Johanna Bass Ar♊t Acquisition Fund
Marcellus Coffermans
active in Antwerp 1549 - 1578
Triptych: Madonna and Child with Saint Joseph and an Angel (center); Archangel Michael (left); Saint Bartholomew (right)
oil on panel, a triptych
𝄹each side panel: 47 ⅝ by 16 ¾ in.; 121.0 by 💞42.5 cm
each side framed: 52 by 21 🎶⅜ in.; 130.1 by 54.3 cm
center panel: 46 ⅛ by 36 ½ in.; 117.2 by 92.7 cm
center framed: 52 by 43 in.; 132.1 by 109.2 cm
Convento de Carmelitas, Salamanca;
With Arthur Tooth & Sons, Paris, 1912;
Baron Hugo von Grundher🧸r zu Altenthann und Weyerhaus (1874-1956ཧ), Mittersill Castle, Austria;
By whom anonymously offered ("Collection of Foreign Aristocratic Property"), Luc✅erne, Galerie F🔯ischer, 8 September 1924, lot 145;
Hans von Pfyffer v💖on Altisho🌌fen (1866-1953), Lucerne;
By whose heirs offered, Lucerne, Galerie Fischer, 20 Novembᩚᩚᩚᩚᩚᩚᩚᩚꦰᩚ𒀱ᩚᩚᩚer 1954, lot 1846;
From whom acquired b꧃y Galerie F🐓ischer, Lucerne, 1957;
With Arthur Tooth, London, 1958;
John and Johanna Bass, New York, by 1962;
By whom bequeathed to the Bass Museum of Art, Miami Beach, in 1🐭963𓆏 (inv. nos. 63.19a,b).
A. Pestalozzi-Pfyffer, Der Meister E.S. und die Schöngauer, Berlin 1926, pp. 65-68, reproduced🉐 (as Martin Schongauer);
Exposition de tableaux anciens de grands Maîtres, exhibition catalogue, Lucerne 1956, p. 8, cat. no. 3 (as Coffe🍃rmans);
The John and Johanna Bass Collection at Miami Beach, Florida, Miami 1973, p. 12 no. 19 (central paneꦜl as Coffermans);
E. Bermejo, “Dos pinturas ineditas en el Escorial: una de Marcellus Coffermans y otra de Pieter Aertsen,” in Real Monasterio-Palacio de El Escorial: Estudios inéditos en conmemoración del IV Centenario de la terminación de las obras, Madrid 1987, pp. 250-254,♒ reproduced figs. 3-5 (as Coffermans);
M. Russell, in Paintings and Textiles of the Bass Museum of Art: Selections from the Collection, M. Russell (ed.), Miami Beach 1990, pp. 28, 50, reproduced (wings as Flemish School, 16th century; centra🐽l panel as Coffermans);
Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, A. Balis, C. Van de Velde, a🌃nd H. Vlieghe (eds.), Antwerp 1992, p. 324, cat. no. 157, reproduced (central panel as C🐽offermans);
M. Rudolf de Vrij, Marcellus Coffermans, Amsterdam𒁃ꦆ 2003, pp. 131, 156, cat. no. 51, reproduced p. 7 (wings as Workshop of Coffermans; central panel as Coffermans).
Lucerne, Galerie Fischer, Exposition de tableaux anciens de grands Maîtres, 17 March - 30 June 1956, no. 3.
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