Galerie de France, Paris

Private Collection, New York (acquired from the a☂bove in April 1971)

Private Col𝓀lection, United States (acquired by descent from the above)

Philli🏅ps, New York, 2 Ju꧙ly 2020, lot 21 (consigned by the above)

Acquired at the above sale by the present owner

R. Civry, “Les arts et les artistes,” Les Hommes du jour, Paris, 1933, illustration of the iron

Ricardo Pérez Alfonseca, Julio González, Escultor en hierro y espacio forjados, Madrid, 1934, p. 9, illustration of the iron

Pedro Garcia Carbera, “Indice de libros, ‘Julio González’ Ricardo Pérez Alfonseca”, Gazeta de arteꦡ,ꦜ 3, Tenerife, September-October 1934, no. 30, illustration of the iron 

Exh. Cat., Musée des Beaux Arts La Chaux-de-Fonds, Julio González, 1955, p. 11, illustration of another cast

Exh. Cat., Amsterdam, Stedelijk Museum and Brussels, Palais des Beaux-Arts, Julio González, 1955, no. 36, n.p., illustration of the iron (titled arlequin and dated 1929)

Exh. Cat., The Museum of Modern Art and Minneapolis Institute of Art, Julio González, 1956, no. 4, p. 10, illustration of the iron; p. 46 (titled Harlequin and dated 1929)

Vincente Aguilera Cerni, Julio González, Rome, 1962, p. XXXII, illustra🦹t𒈔ion of another cast 

Exh. Cat., New York, Saidenberg Gallery, Julio González, Les Matériaux et son Expression, New York, 1969, no. 35, n.p., illustration of another cast꧂ (dated 1927-29)

Josephine Withers, Julio González, Les matériaux de son expression, Paris, 1969, no. 35, pl. 4, illustration of the iron (dated 1927-29 and titled L’Arlequin)

Exh. Cat., London, Tate Gallery, Julio González, 1970, no. 11, p. 10, illustration of another cast (titled The Harlequin and dated 1927-29)

Felix Andreas Baumann, Jahresbericht der Züricher Kunstgesellschaft, Zurich, 1970, pp. 83-87, illustration of another c❀🐓ast

Exh. Cat, Wurttembergisner Kunstverein, Eisen-und Stahlplastic 1930-1970, Stuttgart, 19🐈70, pp. 83-87, illustration♐ of another cast

Strasbourg, Musée d’art moderne, L’Art en Europe autour de 1925, 1970, no. 66, pl. 81, illustration of another cast; p. 110 (titled Arlequin and dated 1927-29)

William Tucker, “The Sculpture of González, Studio International, vol. 180, no. 928, December 1970, p. 239, illustration of the iron (titled Harlequin and dated 1927-29)

Josephine Withers, “Julio González," Art and Artists, vol. 5, no. 7, October 1970, pp. 66-67; p. 68, illustration of the iron (titled Harlequin and dated 1927-29) 

Josephine Withers, "The Sculpture of Julio González, 1926-1942," vol. II, PhD dissertation, Columbia University, New York, 1971, no. S 32, p. 308, illustrated (titled Harlequin and dated 1929)

Vicente Aguilera Cerni, Julio, Joan, Roberta González, Itinerario de una dinastia, Barcelona, 1973, no. 205, p. 257, illustration of another cast; p. 384 (titled L’Arlequin)

Exh. Cat., Kunstgewerbemuseum, Zurich, Die Zwanziger Jahre, Kontraste eines Jahrzehnis, 1973, p. 197, illustration of another cast

Exh. Cat., Tokyo, Galerie Seibu, Masters of Modern Sculpture, 1973, no. 33, n.p., illustration of another cast (titled L’Arlequin and dated 1927-29)

Exh. Cat., Kunstgewerbemuseum Zürich, Die Zwanziger Jahre, Kontraste eines Jahrzehnts, 1973, no. 330, p. 197, illustration of the iron; p. 260 (titled Arlequin and dated 1927)

Exh. Cat., The Edmonton Art Gallery and Toronto, David Mirvish Gallery, Sculpture in Steel, 1974-75, no. 1, n.p., illusion of another cast (titled The Harlequin and dated 1927-29)

Josephine Withers, “The Artistic Collaboration of Pablo Picasso and Julio González," Art Journal, vol. 35, no. 2, Winter 1975-66, fig๊. ▨15, p. 113, illustration of the iron

Roberta González, “Mi Padre Julio González," Guadalimar, vol. 14, Madrid, 1976,🥃 p. 58, illustration of another cast

Exh. Cat., Munster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Skulptur, 1977, n.p., illustrated (titled Arlequin and dated 1927-29)

Exh. Cat., Städtische Kunsthalle Mannheim, Julio González 1876-1942, Plastik und Zeichnungen, 1977, pl. 4, illustration of another cast (titled Harlekin and dated 1927-29)

Exh. Cat., New York, The Solomon R. Guggenheim Museum, The Planar Dimension: Europe 1912-1932, 1979, no. 58, p. 93, illustration of another cas🤡t

Exh. Cat., Basel, Wenkenpark, Skulptur im 20. Jahrhundert, 1980, p. 80; p. 81, illustration of the iron (titled Arlequin and dated 1929)

Exh. Cat., Madrid, Fundación Juan March, Julio González, Esculturas y dibujos, 1980, no. 5, n.p., illustrated

Exh. Cat., New York, The Solomon R. Guggenheim Museum; Frankfurt, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main and Berlin, Akademie der Künste, Julio González: A Retrospective, 1983, no. 112, p. 105, illustration of the iron (New York) (titled Arlequin. Pierrot and dated 1930-31); no. 60, pp. 104-105., illustration of the iron; p. 217 (Frankfurt and Berlin) (titled L’Arlequin/Pierrot ou Colombine) 

Barbara Dieterich, “Retrospective de Julio Gonzalez en Frankfurt y Berlin Occidental," Goya, no. 173, January-February 1983, p. 158, illustration of the iron (titled El Arlequin)

Grace Glueck, “Art: González Survey, A Sculptor’s Reshaping,” The New York Times, 11 March 1983, illustration of another cast

Robert Hughes, “Misunderstood Master of Iron”, Time Magazine, vol. 121, no. 16, 18 April ♛1983, p. 88, illustration of another cast

Ronny Cohen, “Man of Iron," ARTnews, Summer 1983, p.🐲 104; p. 107, illustration of another cast

Barbara Dieterich, “Retrospective de Julio Gonzalez en Frankfurt y Berlin Occidental," Goya, November-December 1983, 🌟p. 158, illustration of anot🦂her cast

Jörn Merkert, Julio González, catalogue raisonné des sculptures, Milan, 1987,ꦏ no. 126, pp. 11𒀰2-114, illustration of the iron 

A.M. Hammacher, The Evolution of Modern Sculpture: Tradition and Innovation, New York, 1988, no. 232, p. 206, illustration of the iron; p. 207 (titled Harlequin and dated 1927-30)

Exh. Cat., Glasgow Art Gallery & Museum; London, Whitechapel Art Gallery and Sheffield, Graves Art Gallery, Julio González: Sculpture and Drawings, 1990, pl. 4, illustration of the iron; p. 72 (titled L’arlequin/Pierrot ou Colombine and dated 1929)

Exh. Cat., Kunstmuseum Bern, Julio González : Zeichnen im Raum, 1997, no. 70, p. 126, illustration of another cast (dated circa 1929)

Exh. Cat., Paris, Centre Pompidou, González/Picasso, dialogue, 1999, fig. 13, p. 17, illustration of the iron (titled L’Arlequin)

Maria Dolores Jiménez-Blanco, Julio González, la nueva escultura en hierro, Madrid, 2007, p. 73, illustration in color of another cast (titled L’arlequin / Pierrot ou Colombine)

Exh. Cat., Institut Valencià d'Art Modern, Julio González en la colección del IVAM, 2007, p. 184; p. 185, illustration in color of another cast (titled L’Arlequin (Pierrot ou Colombine)

Exh. Cat., Valencia, Institut Valencià d'Art Modern, Julio González en la colección del IVAM, 2008, p. 47, illustration in🌳 color of another cast 

Exh. Cat., Madrid, Museo Nacional Centro de Arte Reina Sofía and Barcelona, Museu Nacional d'Art de Catalunya, Julio González, 2008-09, no. 139, p. 113; p. 114, illustration in color of the iron; p. 222 (titled L’Arlequin and dated 1930-31)

Exh. Cat., Institut Valencià d'Art Modern, Julio González versus Pablo Picasso, 2009, p. 236 (titled L’Arlequin and Pierrot)

Exh. Cat., Nagasaki Prefectural Museum, Julio González Retrospective: Master of Iron Sculpture𓃲, 2015, no. 521, p. 85, illustration of another cast in color (dated 1930)

Maria Dolores Jiménez-Blanco, Julio González, Madrid, 2007, p. 73, illustration of another cast and illustratioဣn of another cast on the cover

Exh. Cat., Nagasaki Prefectural Museum; Morioka; Iwate Museum of Art and Setagaya Art Museum, Tokyo (and traveling), Julio González Retrospective: Master of Iron Sculpture, 2015-16, no. S-21, p. 85, illustration in color of another cast; p. 225 (titled L’arlequin / Pierrot ou Colombine)

Exh. Cat., The Hague, Gemeentemuseum Den Haag, González, Picasso and Friends, 2017-18, fig. 2, p. 49, illustration in color of ano𓆏ther cast; p. 50; pp. 162-63, illustration in color of another cast; p. 263, illustration in color of another cast 

Tomás Llorens Serra and Boye Llorens Peters, Julio González, Catálogo general razonado de las pinturas, esculturas y dibujos, 1928-1935, vol. 5, Madrid, 2022, no. 293ꦉ5, p. 205, p. 206, illustration in color of another 🌠cast

Portland Museum of Art, Picasso, Braque, Léger and the Cubist Spirit, 1919-1939, 1996, no. 18, p. 56 (titled Harlequin)