Jenny Saville’s Mirror (2011–12) is a monumental charcoal drawing that redefines one of the most iconic motifs in art history: the reclining nude. St𝓡retching more than eight feet wide, the work fuses multiple intertwined figures in a densely layered com💃position that nods to both Old Master painting and modernist innovation.
Rendered in charcoal, Saville’s technique reveals successive lines and shifting forms, creating a surface alive with motion, memory, and transformation. Figures blur and overlap, evoking the echoes of Titian’s Venus of Urbino, Manet’s Olympia, and Picasso’s reclining nudes—ab𓃲sorbed, reconfigured, and reimagined through her distinctiv🌌e visual language.
Here we explore how Mirror captures the complexity of the body and the enduring power of the nude in contemporary art. Through line, tone, and sheer scale, Saville delivers a compelling reinterpretation of a timeless theme. This colossal and complex work is on offer as part of the 168开奖官方开奖网站查询:Mo♉dern & Contemporary Evening Auc🍨tion taking place at Sotheby’s London on 24 June, pres꧒ented by .
