款識：
用色有極沉厚者，有極澹逸者。其創製損益，出奇無方，不執定
法。大抵穠麗太過，則風塵不爽，氣韻索矣。惟能澹逸而不入於
輕浮，沉厚而不流為鬱滯，傅染愈新，光暉愈古，乃為極致。此
王耕煙、惲草衣論設色法也。壬辰春，君璧記。

鈐印：「黃氏」、「君璧」、「君翁」。

- Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

于右任乃黨國元老，政界藝壇俱負碩望。長子望德早歲負笈英倫，歸國從事教育，後投外交界，先後駐節南美多國。他們不以收藏聞名，惟數十載人脈關係積累，得書畫文化界名宿送贈作品誌念。本輯即為于氏父子舊藏。包括右老身處陪都的柏台仝人汪東、謝稚柳；渡海遷台時期的藝友如黃君璧、彭醇士、溥儒、陳含光等。其中如謝稚柳〈藕塘圖〉誌賀于望德嘉禮；彭醇士〈秋林策杖〉贈別望德奉使南美；四家書畫合贈壽于右老七三誕辰，在在皆証與于氏父子之交情。其中汪東以詞享譽，作畫罕見；彭醇士書畫，多贈摯友，流通甚少；而黃君璧於作品上題及畫論者極稀，兼屬青綠設色，今俱彙集於本輯，非與受贈者具此淵源，焉能致此！