拍品 1344
- 1344
張大千 (1899-1983) 牙板清歌圖 設色紙本 立軸
估價
2,000,000 - 3,000,000 HKD
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招標截止
描述
- Zhang Daqian (Chang Dai-chien, 1899-1983)
- ink and color on paper, hanging scroll
款識：
檀板紅牙舊日多，歸來行錦倦清歌；
琵琶一奏青衫濕，倘聽伊涼更奈何。爰。
鈐印：「張爰」、「大千大利」、「摩登戒體」。
檀板紅牙舊日多，歸來行錦倦清歌；
琵琶一奏青衫濕，倘聽伊涼更奈何。爰。
鈐印：「張爰」、「大千大利」、「摩登戒體」。
Condition
- Generally in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：大千先生遠赴西域，在敦煌研究石窟藝術，自此畫風遽變，
人物畫尤為顯著。本幅無署年，若從筆墨、題款字體，特別於仕
女造型、開臉，可判定為西行前之作。
畫中仕女手執牙板，似拍和弦音，又或自掌板清唱。其開臉、
衣紋綫條，皆近明人，見六如居士筆下仕女影響之痕迹。但畫
中人娟秀柔婉，氣質優雅，流露了大千腕底美人之特點。若與
一九三九年所寫〈宋人詞意圖〉相比，極為接近。而是時他與于望
德在四川，似為相若時期所贈。
參考資料：
一九三九年〈宋人詞意圖〉可參見〈中國近代名家書畫全集—張大
千．仕女〉（香港，翰墨軒，一九九四年六月），頁20-21
于右任乃黨國元老，政界藝壇俱負碩望。長子望德早歲負笈英倫，歸國從事教育，後投外交界，先後駐節南美多國。他們不以收藏聞名，惟數十載人脈關係積累，得書畫文化界名宿送贈作品誌念。本輯即為于氏父子舊藏。包括右老身處陪都的柏台仝人汪東、謝稚柳；渡海遷台時期的藝友如黃君璧、彭醇士、溥儒、陳含光等。其中如謝稚柳〈藕塘圖〉誌賀于望德嘉禮；彭醇士〈秋林策杖〉贈別望德奉使南美；四家書畫合贈壽于右老七三誕辰，在在皆証與于氏父子之交情。其中汪東以詞享譽，作畫罕見；彭醇士書畫，多贈摯友，流通甚少；而黃君璧於作品上題及畫論者極稀，兼屬青綠設色，今俱彙集於本輯，非與受贈者具此淵源，焉能致此！
人物畫尤為顯著。本幅無署年，若從筆墨、題款字體，特別於仕
女造型、開臉，可判定為西行前之作。
畫中仕女手執牙板，似拍和弦音，又或自掌板清唱。其開臉、
衣紋綫條，皆近明人，見六如居士筆下仕女影響之痕迹。但畫
中人娟秀柔婉，氣質優雅，流露了大千腕底美人之特點。若與
一九三九年所寫〈宋人詞意圖〉相比，極為接近。而是時他與于望
德在四川，似為相若時期所贈。
參考資料：
一九三九年〈宋人詞意圖〉可參見〈中國近代名家書畫全集—張大
千．仕女〉（香港，翰墨軒，一九九四年六月），頁20-21
于右任乃黨國元老，政界藝壇俱負碩望。長子望德早歲負笈英倫，歸國從事教育，後投外交界，先後駐節南美多國。他們不以收藏聞名，惟數十載人脈關係積累，得書畫文化界名宿送贈作品誌念。本輯即為于氏父子舊藏。包括右老身處陪都的柏台仝人汪東、謝稚柳；渡海遷台時期的藝友如黃君璧、彭醇士、溥儒、陳含光等。其中如謝稚柳〈藕塘圖〉誌賀于望德嘉禮；彭醇士〈秋林策杖〉贈別望德奉使南美；四家書畫合贈壽于右老七三誕辰，在在皆証與于氏父子之交情。其中汪東以詞享譽，作畫罕見；彭醇士書畫，多贈摯友，流通甚少；而黃君璧於作品上題及畫論者極稀，兼屬青綠設色，今俱彙集於本輯，非與受贈者具此淵源，焉能致此！