The complete set of three screenprints with collage, etching, aquatint, spitbite and hand-painting, 2007, two initialled and one signed in pencil, titled and dated, each numbered 31/35 verso, printed by Lower East Side Printshop, New York, published by Peter Blum, New York, on Hahnemühle Copperplate Warm White paper and laminated Coventry Rag paper

Print A: 913 by 557mm; 36 by 22in Print B: 900 by 598mm; 35 3/8 by 23½in Print C: 599 by 902mm; 23 5/8 by 35½in The full sheets, in good condition, each framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In this complex and multi-layered installation work, Matthew Day Jackson explores and reinterprets the concept of 'The American Dream'. The American philospher and inventor Buckminster Fuller's theory of 'Dynamic Maximum Ten♋sionౠ' or 'Dymaxion' pervades his artistic practice. This is translated here by Jackson through a multi-faceted layering of concepts involving history, image, art history and personal concerns.