款識：
龐均 均 2013（右下）

亞洲私人收藏

The work is overall in very good condition. There are slight accretions across the surface under very close examination. There are slight paint losses on the blossoms. There are very slight stains at the bottom left and bottom right corners. There is no evidence or restoration under UV lighting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「最典型的桂林山水，是必須泛舟於灕江漫遊觀賞：毛毛細雨，煙波浩渺，水面如鏡，一片灰色濛濛是最美的時刻；雨霧中的山與水中倒影的山相連，彼此難分，無限詩情畫意就在山水連接處。先師造化而畫奪造化，在自然中取捨，得天地萬物之神韻，創作出有傳神、有情感、有生命力之作品。有空間觀念，色澤似自然時空又大大勝於自然。用色非凡，用筆一波三折，虛實、簡繁、疏密乃是畫痽自然意境，傳自然神韻之首。實處易，虛處難，為達虛處之神，非先從實處著力不可。畫面入手，由遠漸近，畫面收尾，由近至遠，筆筆皆在掌握強弱輕重快慢之中。」
龐均《繪畫寫生哲學論》