拍品 546
- 546
陳衍寧 綠夢 油彩畫布 二○○七年作
估價
1,600,000 - 2,000,000 HKD
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招標截止
描述
- Chen Yanning
- oil on canvas
款識：
陳衍寧 CHEN YANNING（左下）
陳衍寧 CHEN YANNING（左下）
來源
亞洲私人收藏
Condition
The work is in excellent condition. There is no evidence of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
綠夢
憑藉洗鍊傳神的人物刻劃，陳衍寧備獲讚賞，1999年他曾應邀至白金漢宮替英國女皇繪製肖像。描繪名人以外，他更追求藝術性創作，融入東方古典元素，使其作品特色獨具。如《綠夢》即為其創作之典型，畫中柔媚的仕女身著精緻古衫，輕坐於長春藤下，前方刻意安排的植栽，與畫中主角對應，令人想起清代文人陳裴之在《汀煙小錄》裡所寫的「個儂吹氣如蘭，奉身如玉。」陳衍寧藉此將人物注入了悠揚的氣息與性格。
誠如藝術評論家丹尼斯．韋曼所說：「陳衍寧的肖像畫彌漫著一種炫目的光感，令人聯想起十八世紀以前歐洲的偉大畫家的作品。他運用複雜的技法與對細節的高度關注，設計出大師級的構圖，似乎要抓住對象生活中的一個自然的瞬間，為其造像。」畫中少女雖然衣著古典，但表情和身體語言皆洋溢青春氣息，其右手撥弄耳墜，看似漫不經意，卻為作品帶來攝影般捕捉瞬間的真實動感，而裙擺與鞋尖上的刺繡，則與花卉一同平衡畫面整體的藍綠色調，亦呼應了少女白晳紅潤的肌膚；在景物調度方面，藝術家巧妙地把吊藤和蘭花置於人物前方，而背景卻以深邃色調處理，這種既實而虛的安排，讓作品產生超現實的效果，使人物仿佛超脫時空，如夢如幻，呼應主題。
憑藉洗鍊傳神的人物刻劃，陳衍寧備獲讚賞，1999年他曾應邀至白金漢宮替英國女皇繪製肖像。描繪名人以外，他更追求藝術性創作，融入東方古典元素，使其作品特色獨具。如《綠夢》即為其創作之典型，畫中柔媚的仕女身著精緻古衫，輕坐於長春藤下，前方刻意安排的植栽，與畫中主角對應，令人想起清代文人陳裴之在《汀煙小錄》裡所寫的「個儂吹氣如蘭，奉身如玉。」陳衍寧藉此將人物注入了悠揚的氣息與性格。
誠如藝術評論家丹尼斯．韋曼所說：「陳衍寧的肖像畫彌漫著一種炫目的光感，令人聯想起十八世紀以前歐洲的偉大畫家的作品。他運用複雜的技法與對細節的高度關注，設計出大師級的構圖，似乎要抓住對象生活中的一個自然的瞬間，為其造像。」畫中少女雖然衣著古典，但表情和身體語言皆洋溢青春氣息，其右手撥弄耳墜，看似漫不經意，卻為作品帶來攝影般捕捉瞬間的真實動感，而裙擺與鞋尖上的刺繡，則與花卉一同平衡畫面整體的藍綠色調，亦呼應了少女白晳紅潤的肌膚；在景物調度方面，藝術家巧妙地把吊藤和蘭花置於人物前方，而背景卻以深邃色調處理，這種既實而虛的安排，讓作品產生超現實的效果，使人物仿佛超脫時空，如夢如幻，呼應主題。