款識：
鵝黃新染戒香薰，換卻霓裳舊舞裙；
乞得有情天不老，不辭為雨更為雲。
壬午六月倣唐人香供養天女於莫高石室。爰。

鈐印：「張爰」、「大千大利」。

藏印：「嶺梅珍藏」。

香港，香港中文大學文物館，〈梅雲堂藏張大千畫〉，一九九三年四月
十七日至五月二十三日
日本，東京，涉谷區立松濤美術館，〈香港．梅雲堂所藏張大千之繪
畫〉，一九九五年四月五日至五月二十一日

〈梅雲堂藏張大千畫〉目錄，高美慶編（香港，香港中文大學文物館，
一九九三年），圖版2
〈不負古人告後人—張大千的繪畫藝術〉，高美慶著〈二十一世紀〉，第17
期（一九九三年六月），頁48
〈香港梅雲堂所藏張大千之繪畫〉目錄（東京，涉谷區立松濤美術館，
一九九五年），圖版2

- Paper tear could be found at the ladies' chin. Foldlines are visible on the painting, as seen in the illustration. Otherwise, generally in fair to good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：本幅乃大千先生在敦煌研習石窟藝術期間之作，應屬筆下以
「香供養天女」為題材之嚆矢。畫中天女頭束寶冠，頸繫項圈，臂
結釧環，穿天衣，披帛垂腰，雙手合執長柄香爐。赤足，一腿著
地，一腿微曲，呈舉步狀，隱含動態。開臉慈祥，法相莊嚴，其
體態豐腴，正是唐代人物豐滿健壯之美感。所用礦物顏料古艷，
賦色柔和，氣息樸厚。

畫家寫來運筆俐落，線條準確，造型、賦彩皆攝石窟藝術丰神。
上下兩端又以工筆重彩勾出唐畫之卷草紋飾，極富裝飾性。
一九四五年，畫家應北平榮寶齋經理王仁山之請，重繪另幅〈香
供養天女〉，畫中天女略呈側面，細節較簡略，並製成木版水印畫，一
經流播，遂使此題材廣為人知。如今母本重現，更形珍貴。

參考資料：
一九四五年本〈香供養天女〉可參見〈榮寶齋．一八九四至一九九四〉（北
京，榮寶齋出版社，一九九四年十月），頁3