拍品 20
- 20
張大千 (1899-1983)
估價
1,200,000 - 1,800,000 HKD
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招標截止
描述
- Zhang Daqian (Chang Dai-chien, 1899-1983)
- 張大千 泛棹圖 設色紙本 扇面 鏡框 一九四九年作
- ink and colour on paper, fan leaf, framed, 1949
款識:
靄靄嵐光欲壓眉,溶溶雲嶺接天低;到來不用迴蘭棹,絕勝王猷訪剡谿。
己丑之春寫並題。大千居士爰。大風堂下。
鈐印:「張爰」、「大千」。
靄靄嵐光欲壓眉,溶溶雲嶺接天低;到來不用迴蘭棹,絕勝王猷訪剡谿。
己丑之春寫並題。大千居士爰。大風堂下。
鈐印:「張爰」、「大千」。
展覽
香港,香港中文大學文物館,〈梅雲堂藏張大千畫〉,一九九三年四月十七日至五
月二十三日
日本,東京,涉谷區立松濤美術館,〈香港.梅雲堂所藏張大千之繪畫〉,
一九九五年四月五日至五月二十一日
新加坡,新加坡美術館,〈梅雲堂藏張大千畫〉,一九九七年二月二十八日至四月二十七日
月二十三日
日本,東京,涉谷區立松濤美術館,〈香港.梅雲堂所藏張大千之繪畫〉,
一九九五年四月五日至五月二十一日
新加坡,新加坡美術館,〈梅雲堂藏張大千畫〉,一九九七年二月二十八日至四月二十七日
出版
〈張大千畫〉(香港,東方藝術公司,一九六一年二月初版),頁59
〈梅雲堂藏張大千畫〉目錄,高美慶編(香港,香港中文大學文物館,一九九三
年),圖版84
〈融匯傳統與現代的張大千〉,高美慶著〈亞洲藝術〉(一九九四年五/ 六月),頁62
〈香港梅雲堂所藏張大千之繪畫〉目錄(東京,涉谷區立松濤美術館,一九九五
年),圖版82
〈迭宕飛揚.手揮五絃 ─ 談張大千的繪畫〉,黃苗子著,收錄於〈畫壇師友錄〉(台
北,東大圖書股份公司,一九九八年二月),頁122
〈梅雲堂藏張大千畫〉目錄,高美慶編(香港,香港中文大學文物館,一九九三
年),圖版84
〈融匯傳統與現代的張大千〉,高美慶著〈亞洲藝術〉(一九九四年五/ 六月),頁62
〈香港梅雲堂所藏張大千之繪畫〉目錄(東京,涉谷區立松濤美術館,一九九五
年),圖版82
〈迭宕飛揚.手揮五絃 ─ 談張大千的繪畫〉,黃苗子著,收錄於〈畫壇師友錄〉(台
北,東大圖書股份公司,一九九八年二月),頁122
Condition
- Light foxy could be found at the right section of the painting, otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註:「梅雲堂」藏大千先生一九四九年春夏期間精繪的扇面四幀,以本幅
未示具體月份,僅署「己丑之春」,有別於其他分寫於「三月」、「五月」
者,或以本幅寫成最早,正屆暫棲香江之時。畫中見茅閣臨江,傍有蒼
松碧樹遮護,高士閣中憑攔眺望,似遠招乘扁舟來訪之友人。全畫取小
青綠法,僅以淺赭點染岸渚及山坳間隱現之房舍,用色輕柔雅淡,輔以
留白營造雲嵐迴盪穿插,一片湖山爽氣溢於畫面。
未示具體月份,僅署「己丑之春」,有別於其他分寫於「三月」、「五月」
者,或以本幅寫成最早,正屆暫棲香江之時。畫中見茅閣臨江,傍有蒼
松碧樹遮護,高士閣中憑攔眺望,似遠招乘扁舟來訪之友人。全畫取小
青綠法,僅以淺赭點染岸渚及山坳間隱現之房舍,用色輕柔雅淡,輔以
留白營造雲嵐迴盪穿插,一片湖山爽氣溢於畫面。