拍品 1168
- 1168
吳冠中 (1919-2010)
估價
900,000 - 1,200,000 HKD
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招標截止
描述
- 吳冠中
- 吳冠中 花溪 設色紙本 鏡框
- ink and colour on paper, framed
鈐印：「冠中寫生」、「八十年代」。
來源
現藏者直接得自畫家
出版
〈吳冠中全集〉第五卷 （湖南美術出版社，二○○七年八月），頁
194
194
Condition
-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：按著錄所示，此作寫於一九八一年。
「就如懷念患離中的朋友，我常常想念花溪。」
─ 吳冠中
畫家所謂「患難」正是他首次造訪花溪的時空背景，時維一九七二
年冬，政局仍是一片蕭瑟嚴峻，他與妻子往貴陽探侍岳母的病
況，並抽空去了花溪，逗留了個多星期。
幾位熱心友人相陪，「一同冒雨踩著泥濘的小道尋石板房，一同在
苗家寨子裡東張西望……」懷念的是這段友誼，還有花溪園林的
景色。當時，他畫了一幅水彩，「以岸上斜傾的老樹及跌入水中
的倒影作為畫面構架……每棵樹與其倒影並不完全能對上口徑，
有的樹失落了倒影，有的倒影卻又找不到岸上主體，虛虛實實，
都緣作者意圖布網圍捕蕭瑟之氣氛。」這就是他筆下「花溪樹」的
基本構圖。日後從水彩轉移至水墨，不斷衍生變化，濃黑樹幹的
直與曲佈局、背景風光的揚棄減省，以至潑墨般抽象手法經營畫
面，種種改變，反映了畫家憑藉作品「從記敍蕭瑟之氣到抒寫心
花怒放，從無聲進入有聲」。本幅寫於一九八一年，畫面較接近
一九七七年其筆下最早一幀的水墨〈貴陽花溪〉。
參考資料：
〈花溪〉創作構思意念可參見〈吳冠中繪畫形式分析〉，吳冠中著（四
川美術出版社，一九八八年三月），頁68-69
「就如懷念患離中的朋友，我常常想念花溪。」
─ 吳冠中
畫家所謂「患難」正是他首次造訪花溪的時空背景，時維一九七二
年冬，政局仍是一片蕭瑟嚴峻，他與妻子往貴陽探侍岳母的病
況，並抽空去了花溪，逗留了個多星期。
幾位熱心友人相陪，「一同冒雨踩著泥濘的小道尋石板房，一同在
苗家寨子裡東張西望……」懷念的是這段友誼，還有花溪園林的
景色。當時，他畫了一幅水彩，「以岸上斜傾的老樹及跌入水中
的倒影作為畫面構架……每棵樹與其倒影並不完全能對上口徑，
有的樹失落了倒影，有的倒影卻又找不到岸上主體，虛虛實實，
都緣作者意圖布網圍捕蕭瑟之氣氛。」這就是他筆下「花溪樹」的
基本構圖。日後從水彩轉移至水墨，不斷衍生變化，濃黑樹幹的
直與曲佈局、背景風光的揚棄減省，以至潑墨般抽象手法經營畫
面，種種改變，反映了畫家憑藉作品「從記敍蕭瑟之氣到抒寫心
花怒放，從無聲進入有聲」。本幅寫於一九八一年，畫面較接近
一九七七年其筆下最早一幀的水墨〈貴陽花溪〉。
參考資料：
〈花溪〉創作構思意念可參見〈吳冠中繪畫形式分析〉，吳冠中著（四
川美術出版社，一九八八年三月），頁68-69