款識︰
新來上國語初諳，欲笑佯羞亦太憨；
硯角眉紋微蓄慍，厭他俗客亂清談。再贈春孃。大千。

鈐印︰「季爰之印」、「大千」。

-Paper turns greyish due to age. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

上款：「春孃」即池君，藝名春紅，朝鮮人。大千先生一九二七
年底往遊朝鮮，在當地接待的筵席上結識了獻歌演舞的「伎生」
春紅。居停期間，她侍弄筆硯，相陪出遊，情愫漸生。先生返國
後，仍魚雁互通，常往探望。一九三九年她因抗日寇之侮而遇害。

註：大千先生與春紅交往，因彼此語言不通，常以畫示意，先生
有謂至「會心處，相與啞然失笑」，並「戲為二絕句贈之」。本幅
即二絕句之一，故題「再贈」。畫中簡筆淡墨寫山廚清蔬，簡約自
然，似信手拈來，極見八大意趣。如此小品，非寄微言大義或絃
外之意，袛是畫案几席間筆墨傳情之物。末署年款，以書體畫風
以至鈐用印章，皆二十年代後期之典型，復參照與春紅之過從，
可推知乃一九二七至二八年初寫於朝鮮逗留期間。