款識：
嘯天將軍老弟正畫。九十四歲白石老人一揮于京華。

鈐印：「木人」。

藏印：「峯山鎮人藏扇」、「黎榮樂藏」、「樂在其中」。

香港蘇富比，一九九一年十月，中國書畫拍賣，編號59

-Signs of paper loss and restoration could be found, especially along the fold lines of the fan leaf. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

上款：「嘯天」即楊虎，字嘯天，安徽寧國人。早歲從戎，歷任國
民政府高職，獲授陸軍中將。政權更易後寓居北京。五十年代中
期被捕，後病逝於復興醫院。

註：楊虎與齊白石間之交往，始於四十年代中期。四九年後，
彼此交誼趨密，楊氏夫人陶聖安投白石門下，故稱曰「聖安女弟
子」。時楊虎頗獲當局禮待，生活愜意，手頭寬鬆，遂可向白石訂
畫，故一九五零至五三年間，所得作品皆質精且題材特別，蓋是
時物質條件尚未寬裕，具餘資可購書畫者極稀。楊虎訂畫，無論
立軸或橫披，尺幅俱大，精緻若成扇僅見一九五一年所寫之〈雁來
紅蜻蜓〉，再者即為本幅，似從成扇折下，重裱為扇面今狀。這亦
是目前所見畫迹中寫具楊氏上款的最晚期者，至於一九五五年之
〈荷花鴛鴦〉軸祗是應楊氏伉儷之請贈其親家，恐怕也是兩人交往
最後一次見諸實證。稍後楊氏已涉案而被逮捕矣！

本幅另鈐「峯山鎮人藏扇」，似屬汪振華（1915-1987）之藏印。他
中共政工幹部出身，參予上海民航管理系統工作，六十年代中期
任民航上海管理局政委。業餘嗜藝術，搜集近代名家之作甚豐，
藏品多鈐「峯山鎮汪振華」印。楊虎歿後，作品漸次星散，或輾轉
為汪氏所得。