款識：
八大山人。

不須慟哭尺歌詩，風雨飄搖此一時；
無限江山都血淚，從頭收拾有男兒。大石漫筆。

鈐印：「大石齋」。

Foxy could be found on the painting, otherwise, generally in good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：本幅以四紙連綴成卷。前三紙尺寸劃一，末者較短，似不經
意地自畫案上採裁餘物料，遂執管隨意寫出，故題材夾雜，不循
章法，毋求連貫一氣，翎毛、花卉、蟲魚以至饌治器皿紛陳，以
簡筆山水作結。由此視之，恐屬畫家練筆作稿，或遊戲文章以消
暇遣悶，即使題七絕一首，其筆勢飄逸，似輕拈筆管略觸紙面帶
出字形，有草草不工之意。雖曰「無心插柳」，但枯筆渴墨卻呈現
了草蟲禽類之鮮活生動，疏梅菓品之冷逸清香，簡淡傳神，非功
力深厚不足為之。

首端倣八大之鳥果及末尾擬清湘之山水，皆逼肖入微，可謂隨手
所出已流露大石翁師法兩家之絕詣。雖未署年，推及畫風，似
四十年代後期之作。