沈枚署簽

簽書：
楊伯潤先生山水真蹟逸品。己未春三月嘯梅題籤。

款識：
聽泉圖。
讀司空圖「太華夜碧，人聞清鐘」，寄興幽遠，我於畫理，惟兹有悟。南湖外史楊伯潤。

鈐印：
〈楊〉 「伯潤私印」。
〈沈〉 「枚印」（鈐於簽條）。

Sign of stains could be found at the lower right section of the painting, which could be improved by restoration. Foxing could be found throughout the painting, which can also be improved by restoration. Otherwise, generally in fair to good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：楊伯潤以山水飲譽海上藝壇，其畫宗董其昌，不求構圖奇詭險
峻，佈局自然，意境幽邈，且多淺絳，清秀飄逸，無嬌媚之色，純以
文人韵致勝，蓋其詩書俱擅，氣度自生！本幅寫高士臨水寂坐，松濤
瀑聲相伴，自有隱逸之意，而用筆乾濕互濟，敷色蒼潤，屬晚年所
出。任伯年不少作品請他題跋，蓋楊氏詩文修養甚佳，亦足証交誼菲
淺。伯年筆下山水頗受胡公壽影響，惟其畫面較明澈簡朗者，則可窺
見楊伯潤畫風影響之痕迹，從本幅中或有所悟矣！