設色紙本 鏡框 一九四七年作

款識：
夜深滿載月明歸，劃破琉璃千萬丈。
淑珍女史雅屬。丁亥仲夏。子愷畫。

鈐印：「子愷」、「石門豐氏」。

Small holes can be found on the paper, especially in the blank area of the top section, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

劉紀文舊藏近代名家書畫 （編號 1322－1332）

劉紀文舊藏近代名家書畫於二〇一三年春推出首輯，內容以二十世紀書畫界作品為主。本輯重點則置於劉氏與國民政府黨國要員之關係，輔以廣東畫家精繪之作。劉紀文（1890-1957），廣東順德人。受革命思潮影響加入同盟會。辛亥革命後赴日留學，返國後任職軍政府審計局局長。一九二三年往英國進修，並考察歐美各國之市政規劃建設。二六年回國，被任命粵省農工廳廳長。翌年，國民政府定都南京後，歷任要職，在掌首都、廣州市政期間，發展基礎建設，大肆興革，令市容大有改觀。三七年調任審計部，一度署理部長職位。四九年政局遽變，他輾轉赴香港，復遷居東瀛。一九五四年定居台灣，擔任總統府國策顧問、光復大陸設計委員會委員之職。五六年因病赴美療養，五七年病逝於洛杉磯。

註：一九四七年，豐子愷已遷居杭州，本幅取意自宋朱景文〈玉樓春〉句意。據畫家女兒憶述，豐氏在西湖曾親自體會句中所描述💞之景，遂引此入圖。本幅寫於同年，以相同構圖入畫，既抒發畫家夜遊西湖之心境，亦以此致贈劉紀文夫人。