設色紙本 鏡框 一九五一年作

款識：
秉坤先生法政。抱石。辛卯。金陵。

鈐印：「抱石私印」、「往往醉後」。

香港蘇富比，一九九○年十一月，中國書畫拍賣，編號202

〈傅抱石全集〉卷三（ 廣西美術出版社，二○○八年三月），圖版30

-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：或試茗、或煮茶，如此題材最早見於傅抱石四十年代初期作品中。構圖分三截，前景乃老僕持杓取水，中景見童子爐伴烹茶，後景即高士於房舍中品茗。本幅遷就畫面空間，以節省簡略之法，寫茅舍一角，傍倚葵蔭，背靠細竹，門戶敞開，幽人席地而坐，據矮几，上置茗具，側室見童子彎身侍候烹茶之爐火。畫面簡潔，運筆暢快，房舍結構，葵葉琅玕，攝其狀於點劃速捷間；人物姿態，以至臉龐眉宇之神色，則顯於勾劃簡練下，方寸天地間自見閒適愉悅之情。

一九五一年河山已換新貌，畫家筆ꦿ下題材亦隨之改變，取毛澤東詞意入畫，始於其時。是年，其作品數量不多，且採用傳統題材，則極稀見。