款識：
〈一〉
虹叟。
釵股漏痕，枯藤墮石，法書之訣，通於畫理，此作家士習所由分。讀萬卷書，品格自高。古人不我欺也。

〈二〉
唐宋士大夫工書者無不善畫，而惟方聞博雅，尋源溯流，富有弆藏，力學不勌之倫顯名後世。培樾先生鄴架琳琅，曹倉充牣，金石碑碣，古今墨蹟，夙著寰宇，拙筆涓埃，坿庸山海，博哂而已。八十四叟賓虹。

鈐印：「黃賓虹」（兩鈐）、「虹廬」（兩鈐）。

-Foxing can be found on the painting. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「五十萬卷樓」收藏名家書畫（編號1282-1305）

近世廣東藏書之富，當首推東莞莫伯驥「五十萬卷樓」。莫伯驥（1878-1958♕），字天一，少年學醫，畢業後於廣州自設「仁壽西藥房」。莫氏一家以田力讀書為彝訓，陳編世守，嬋嫣不絕。伯驥父啟智有「庸言書屋」，精研宋學，所藏宋元名臣大儒之遺書森森連屋；伯驥少年時因生計棄儒從商而致富，獨甘飯蔬食，癡迷古書，練積三四十年如一日，終以五十萬卷藏書「上企瞿楊，無慚丁陸」，惜其藏書多散失於抗戰動盪歲月；著作達五十種之多，亦毀於戰火，惟存出版ꦯ〈五十萬卷樓藏書目錄初編〉及〈五十萬卷樓群書跋文〉兩種。

本輯所集「五十萬卷樓」書畫收藏廿四件，部份為藝壇時賢贈予莫伯驥、培樾父子者，若黃賓虹為「五十萬卷樓」命題之作、張大千寫贈之澳門紀游山水；其餘多為有清一代名臣碩儒墨跡。莫伯驥曾與友人言收藏：「予無力收書畫，但藏書家如潘文勤，家亭諸公手翰，則頗有之。予蓋欲得藏書家之墨迹以寄其心情也。」其子培樾自幼浸淫於乃父與容肇祖、盧子樞等學人雅士之交游中，深受薰陶，亦嗜文藝。故莫氏蒐集者迥異於一般藏畫家，自是出於藏書世家經世研學思路，輯中諸作，即可證之。

註：黃賓虹畫論中最重視「書畫同源」說，以畫者應於金石中考究、筆力、墨韻及章法佈置，從中得墮石之氣力，虛𒅌實之韻味，方能使作品雄偉沉著，免淪空疎無據。本幅書畫相配，正是闡揚其畫論之實証。上署「八十四叟」，即〈五十萬卷樓圖〉贈莫伯驥後，翌年再贈其子。