款識：
綠樹當門水拍天，家家窗戶列煙鬟。小垂纖手匊雙環（謂南環西環也）。地接厓門思宋帝，天揩濠鏡付漁山（吳墨井居此間久）。潮平波定換人間。
己丑四月來居澳門，忽忽二月往矣。朝暮登眺得稿尤多，此從西望洋以眺三灶、橫琴、馬騮洲諸勝寫成，倚〈浣溪沙〉題記。六月十三日大千張爰。

培樾仁兄方家兩正。蜀郡張爰。

鈐印：「張爰」、「大千」、「張大千長年大吉又日利」。

藏印：「東官莫氏」。

-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「五十萬卷樓」收藏名家書畫（編號1282-1305）

近世廣東藏書之富，當首推東莞莫伯驥「五十萬卷樓」。莫伯驥（1878-1958），字天一，少年學醫，畢業後於廣州自設「仁壽西藥房」。莫氏一家以田力讀書為彝訓，陳編世守，嬋嫣不絕。伯驥父啟智有「庸言書屋」，精研宋學，所藏宋元名臣大儒之遺書森森連屋；伯驥少年時因生計棄儒從商而致富，獨甘飯蔬食，癡🃏迷古書，練積三四十年如一日，終以五十萬卷藏書「上企瞿楊，無慚丁陸」，惜其藏書多散失於抗戰動盪歲月；著作達五十種之多，亦毀於戰火，惟存出版〈五十萬卷樓藏書目錄初編〉及〈五十萬卷樓群書跋文〉兩種。

本輯所集「五十萬卷樓」書畫收藏廿四件，部份為藝壇時賢贈予莫伯驥、培樾父子者，若黃賓虹為「五十萬卷樓」命題之作、張大千寫贈之澳門紀游山水；其餘多為有清一代名臣碩儒墨跡。莫伯驥曾與友人言收藏：「予無力收書畫，但藏書家如潘文勤，家亭諸公手翰，則頗有之。予蓋欲得藏書家之墨迹以寄其心情也。」其子培樾自幼浸淫於乃父與容肇祖、盧子樞等學人雅士之交游中，深受薰陶，亦嗜文藝。故莫氏蒐集者迥異於一般藏畫家，自是出於藏書世家經世研學思路，輯中諸作，即可證之。

註：政權易手後🦋，大千先生去國，居停於港澳間。一九四九年春節前後，應澳門殷商蔡克庭邀請作客濠江。逗留期間，遊歷名勝，繪畫訪友，暫忘俗慮，生活閒適。遊踪處處，每有所得，遂將入目勝景名迹入圖。本幅寫於是年「六月十三日」，即公曆七月八日，送贈「五十萬卷樓」莫氏家人。入畫者乃西望洋遠眺所得之景，如三灶、橫琴、馬騮洲等，又賦〈浣溪沙〉詞以述懷，中有「厓門思宋帝」、「濠鏡付漁山」，因景思人，遠接舊史，別有所寄矣。畫中取景所在，卻非實貌搬移入圖，仍是結合胸臆中造化之境而重現，但地貌概略風光猶存，誠屬他筆下鮮有取材濠江山水之作。物換景遷，歲月流逝，對比澳門今日飛躍發展，畫中留下逾一甲子前的舊跡，亦別添一份歲月滄桑！