鈐印：「大風堂」。

畫家四女張心嫻藏
她在父親離世後，往加州濱石灣舊居，探望其母徐雯波，本幅即當時所得。

展覽及著錄：
香港會議展覽中心，香港蘇富比主辦，〈在爸爸身邊的日子 ─ 張心嫻藏張大千作品展〉，二○一一年十月一至五日，並刊於展覽目錄，頁37

-Light foxing can be found on the painting, and could be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

張大千海外家屬收藏書畫（編號1326－1338）

大千先生四九年去國後，輾轉遷移，自香港、印度，復移家南美，築「八德園」以居，晚年落葉歸根，終老於台北。家族成員多追隨先生，定居海外。「大風堂」訓示子侄皆遵循💦傳統，待人接物，恪守禮教，一絲不苟，此亦先生言教身教之致。家人隨侍在側，耳濡目染，薰陶日久，朝夕行之，遂成家風矣！先生遺贈，片紙寸縑，莫不慎留。書畫作品，或為完成，或屬草稿，又或寫畢未添款印，以待後用，皆存其原貌，無妄自添加，足示對先輩之敬，亦証家風之嚴。

本輯彙集長女心瑞、六子心澄、四女心嫻、七子心夷所藏，皆大千先生送贈，題材包括山水、花卉、人物、書法等，風格兼及傳統與潑墨潑彩，多集中於六、七十年代。其中，如自書〈張氏家譜〉（編號1326），又或具其親ও題評點之古代書畫圖冊（編號1327 及1328），非市場上可求。晚歲所書大字橫幅〈樂公廔〉（編號1329ꩵ），又或〈菜根香〉（編號1337）及潑墨潑彩之〈空山流水〉（編號1335），皆出畫家神完氣足之筆，足堪傳之兒輩！