款識：
小徑斜穿入竹林，曲闌通轉亞花陰；
墻隈勢逼風如旋，落地殘紅幾許深。
蜀游射洪紀勝，兼寫元人詩意。庚辰。黃賓虹。

鈐印：「黃賓虹」、「樸居士」、「片石居」。

-Light foxing can be found on the painting, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：賓翁寫山水最重筆、墨、章法，而章法出新則得益於多次遊歷寫生。〈射洪紀勝〉作於一九四○年，時賓翁已居京三載，羈棲異地，性不擅結交，除與幾位舊交知己鴻雁往來，大多時間杜門在家，臨寫元明古畫，每日至少有一小時整理畫稿，夏秋間與友人書中曾言：「今乘閑暇清理紀游畫稿，擬選其尤勝為歷來章法特異者為之，可開一生面」。一九三二、三三年川蜀之行，得稿二百餘幅，成為日後主要山水畫題之一，頗多重要作品便以蜀遊為題，如一九四○年贈黃居素〈峨嵋山圖長卷〉、一九三九年中國畫學研究會展覽中〈蜀山紀游〉等。射洪為涪江中游水路交通要衝，賓虹一九三三年六、七月間由成都取道川北歸滬途中曾得經此地。其〈蜀中雜詠〉中有「射洪」一首，描寫在此地舟船受阻、兀兀待渡之遭遇。許正是於百無聊賴時，在江邊寫下一稿，成為日後此幅母本。

本幅寫涪江蜿蜒幾曲，矮山丘陵夾岸，時有洲渚，漁人置網其間。山石施以赭石，復用濃淡墨畫其紋理、點草木植被，只在山間蹊徑及四五喬木用鮮色點睛，全畫氣息溫婉寧靜。近景描繪尤為著意：涪江岸邊，二高士相視而立，一執杖，一拱手，似相約共赴雅集，沿身後小徑而行，涪江已為巨石所障，卻有蒼松翠竹紅樹寓目可賞，隨山丘下行右轉，竟是樓觀屋宇，世外桃源且具堂皇之氣派，樓傍有垂瀑可聽，屋後又見涪江，坐廊橋上可看江水南去。江對岸房屋依茅舍樣式而建，多幾分鄉野恬淡，一亭踞山頂，可觀遠山江景。賓翁最贊蜀江山水者，一為林壑層巒疊嶂，一為屋宇隨山川丘壑而建，錯落參差，「處處皆可入畫」，証諸本幅，兩者俱已融於畫中。畫上題詩非元人作，乃明朝董紀描寫園林絕句，畫家別具匠心將其化入大山大水之中，另得含剛健於婀娜、「遒媚」之美，「遒」則用筆帶艱澀而剔除獷悍直率；「媚」則於敷色、點景處見精心佈置而避於敷衍浮淺，這亦是賓翁一九四○年前後研究明前士夫畫心得之一。