· 總重量約140 dwts
· 長度23英寸
· 附法國純度驗證標章及Georges L'Enfant模糊工匠標章戳記
· 1930年代末

*拍品資料以英文為主，中文翻譯僅供參考

In very good condition. The necklace is very flexible and well-made. There is no clasp so it is worn by "tying" the necklace into a loose knot. The bells make a soft ringing sound when the necklace is worn. The gold exhibits a nice, warm patina and some very minor scratching is evident under magnification.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The firm of Georges L'Enfant manufactured for some of Paris’ most renowned jewelers, including Van Cleef & Arpels and Hermes, but it was best known for its celebrated collaborations with Cartier.  See Cartier: 1900-1939 by Judy Rudoe, page 46.

 For a necklace of similar inspiration, see Amazing Cartier: Jewelry Design since 1937 by Nadine Coleno, page 140-141.