- 471
黃金及鉑金鑲鑽石配紅寶石及琺瑯彩「Swallow」別針
描述
- Gold, Platinum, Enamel, Diamond and Ruby
· 配圓形鑽石
· 眼睛鑲兩顆蛋面紅寶石
· 附模糊工匠標章戳記
· 別針可除下
· 約1887年
*拍品資料以英文為主,中文翻譯僅供參考
出版
For related information please see:
René Lalique, Schmuck und Objets d’Art, 1890-1910, Prestel Verlag, Munchen, pp. 372-373, no. 864
French Jewelry of the 19th Century, Henri Vever, translated by Katherine Purcell, Thames & Hudson, pp. 1218-1219
Rene Lalique, Exceptional Jewellery 1890-1912. Musee de Luxembourg, edited by Yvonne Brunhammer, Skira pp. 18, 26, cat. 5, and 6.
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
The swallow brooch offered here bears an obscured mark which is likely that of Boucheron. However the most persuasive evidence for the authorship of this brooch is not only a comparison with the drawing from the Société Lalique illustrated here. Moreover, a close examination of the subtle color gradations in the champlevé enamel decoration on the wings of the swallow demonstrate an attention to detail and mastery of technique expected in a work by Lalique. The diagonal composition reflecting the movement of a bird in flight can be observed in other examples by Lalique; a perspective derived from his earliest visual observations of nature. The absence of Lalique’s maker’s mark is not unusual, considering that Lalique worked as an anonymous colleague and supplied the major jewelers who participated in the Paris 1889 exposition.