With Leger Galleries, London;
From whom purchased by the present owner in 1963.

Overall this picture in very nice state. The canvas has been relined and the work is in a carved gilt wood frame. The sitters hand has retouches visible under UV, as well as a few very minor scattered in the collar, but the hands and majority of composition have no retouches at all. Varnish is milky and could be replaced to great effect.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This portrait relates loosely to the full-length standing portrait of Burdett painted by Lawrence in circa 1793, now in the National Portrait Gallery, London.

Francis Burdett succeeded his grandfather Sir Robert Burdett (1716-1797) as 5^th baronet in 1797, inheriting estates at Foremark and Bramcote, Warwickshire.  In 1800 he also inherited Ramsbury from his aunt.  He married Sophia, the youngest daughter and coheir of the London banker Thomas Coutts (1735-1822).  He entered Parliament in 1796 and would go on to become an influential radical politician, championin𒈔g free speech, personal liberty, the harsh treatment of prisoners, as well as other reforms.