陳衡恪、壽鑈、喬大壯題跋

款識：
亮工駱君蜀中名下士也。性豪爽，嫻將畧而不求聞達。閉戶工書，以篆隸之筆作真草，古茂遒勁，奇逸橫生，鬱勃縱橫兼而有之，朋從求之鬨市，苦無以拒之，乃為訂例於左。
（潤例略）
壬戌五月。吳昌碩訂於春申浦。

題識：
〈陳〉
散鬲雲峯勢婉通，應知作草有新功；
狂禪寫破芭蕉綠，金石臣能刻畫工。衡恪。
鄭道昭書中鋒內轉，力布四隅，與散氏鬲一鼻孔出氣。亮工先生於散鬲能得三昧，真草則圓通自在矣，替以小詩。

〈壽〉
不矜側媚附時流，黑女元公浩不收；
健挾霜豪摹散鬲，卻從古拙見妍修。壽鑈。

〈喬〉
腕底岷峨萬壑風，顛張醉素果誰雄；
致思覩物論書勢，且好同時老缶翁。
衛巨山〈字勢〉有云「覩物象以致思」，獨指古文而矣。亮工先生臨橅散鬲，雅有新功，昌老手書此紙，特致推重，爰贊絕句，以志欣嚮。
壬戌七月。華陽喬曾劬□勞。

鈐印：
〈吳〉 「吳俊之印」、「吳昌石」。
〈陳〉 「陳」押、「朽」。
〈壽〉 「印丐」。
〈喬〉 「曾劬」、「伯戢」、「先路䪩」。

香港蘇富比，二〇〇八年四月，中國書畫拍賣，編號78

展覽及著錄：
〈藏畫〉第一集（香港，浚和印刷製作有限公司，一九八九年二月），圖版56
香港城市大學、城大藝廊，〈腕底粉墨 — 關良的繪畫藝術〉，二○○五年六月十日至八月十五日，並刊於展覽目錄，圖版95

-Signs of restoration can be found, where the piece of calligraphy appeared be a combination of four pieces of paper; creases appeared to be there previously. Paper has turned greyish and stains can be found, which can be improved by restoration. Otherwise, generally in fair to good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：本幅乃缶老為駱亮工所訂潤格。駱氏，四川人，生於晚清，卒於抗戰前，生平資料未詳。他早歲曾參北洋陸軍吳祿貞幕，此即潤例所謂「嫻將略」。駱氏善畫，以篆隸筆法作真草，尤得力於鐘鼎。除昌碩外，復見陳衡恪、壽石工、喬大壯等南北金石書法名宿讚語，一幅集四家書法，極為難得，足見駱氏功力具過人之處；此外，也反映昌碩登高一呼即眾聲應諾之藝壇地位。「潤格」功能乃如今之價目表，如獲名家代訂，則聲價倍增。後世視之，可見受者的市場地位，與書者的交誼關係，又間接提供了社會物價的旁證資料，一紙兼具多方功能，本幅即可証之！