款識：
江南三月春將暮，十里珠簾捲畫廔。
辛未仲秋。趙叔孺。

鈐印：「鄞趙時棡字叔孺之印」。

台北，國立歷史博物館，〈民初十二家 — 上海畫壇〉，一九九八年六月二十七日至八月三十日
高雄市立美術館，〈世變．形象．流風─中國近代繪畫1796-1949〉，二○○七年三月卅一日至八月廿六日
東京， 松濤美術館，〈世變． 形象． 流風 ─ 中國近代繪畫1796-1949〉，二○○七年九月四日至二○○八年一月廿七日

〈民初十二家 — 上海畫壇〉（台北，國立歷史博物館，一九九八年），頁80-81
〈世變．形象．流風 — 中國近代繪畫1796-1949〉卷三（ 高雄市立美術館，二○○七年），頁97
〈中國近現代繪畫叢刊 ─ 趙叔孺〉（台北，雅墨文化事業有限公司，二○一○年十二月），圖版21

-Mild paper loss could be found at the lower left corner of the painting. Light foxing and creases could also be found at the lower section of the work, which could be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."