款識：
聞道華嚴世所希，遠來瀛海一探奇；
飛流濺沫騰雲霧，疑是蛟龍起蟄時。
壬戌之春與陳師曾、吳鏡波遊日光山歸，曾作圖記之，已為友人攜
去。甲子九月，卧病新起，復約略圖之，頗似文停雲法也。吳興北樓金城。

鈐印：「拱北」、「鞏伯」、「金城」。

〈領略古法生新奇 ─ 金城繪畫藝術研究〉，邱敏芳著（台北，國立歷史博物館，二○○七年十月），頁260
〈中國近現代繪畫叢刊 ─ 金城〉（台北，雅墨文化事業有限公司，二○○八年一月），圖版42
〈中國近現代畫家 ─ 金城〉（天津人民美術出版社，二○一二年五月），圖版113

-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：一九二二年春，畫家與好友陳衡恪、門人吳鏡湖同遊日光山，歸來，有詩與師曾唱和，越兩歲，寫有〈仿荊浩山水〉追記此遊。本幅乃同年重寫本，蓋原畫已為友人携去。兩畫相距半年，惟對比下，構圖位置十分接近，雖云仿荊浩，非徒追傚古人面貌，實參合紀遊所得而成，其行筆較縱放，佈局嚴謹而不拘滯，尤以本幅用墨滋潤淋漓，韻味醇厚，素淨中自生華采。雖自云「卧病新起」，筆墨中仍見精氣盈貫，謂「頗似文停雲法」，實不遜文待詔晚年之精鍊也。

畫上題「吳鏡波」，乃筆誤，實為吳鏡湖，即其弟子吳鏡汀。

參考資料：
一九二二年〈仿荊浩山水〉可參見〈領略古法生新奇 ─ 金城繪畫藝術研究〉，邱敏芳著（台北，國立歷史博物館，二○○七年十月），頁259