款識：
廣寒宮闕舊游時，鸞鶴天香捲綉旗。
自是嫦娥愛才子，桂花折與最高枝。唐寅。

鈐印：「陳彰長壽」、「少梅書畫」、「家在洞庭衡岳間」。

香港蘇富比，二○○三年四月，中國書畫拍賣，編號663

-Paper turns yellowish due to age. Light foxing can be found. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：陳少梅工山水，亦擅人物，寫有多幀未署款似屬習作的工筆仕女，明顯師法自六如本。本幅臨自唐寅名作〈嫦娥圖軸〉，現藏美國紐約大都會博物館。若將兩本對比參照，可知他忠實地將畫及題款一一臨摹下來，不過，在開臉及線條運用上，仍帶有自身風格的特徵，特別在衣紋流轉頓挫起伏間，略見放縱俐落，稍近明代浙派面貌，卻不減汲收前賢筆墨造詣上的成就。畫上僅鈐印，未落款，若對照他同稿另幅作品，兩者畫風皆應屬四十年代所出，且俱鈐「家在洞庭衡岳間」閒章，甚鮮見鈐於別幅，由此可知，是時正畫家用功於六如仕女，故一再寫之。

參考資料：
另幅〈臨六如嫦娥折桂圖〉可參見〈陳少梅繪畫全集〉下卷（天津人民美術出版社，二○○五年八月），頁54