款識：
（臨蘇軾〈獲見帖〉、蔡襄〈腳氣帖〉、黃庭堅〈與人〉、米芾〈通判帖〉，文略）
宋四家書皆出顏平原、徐季海，自其不變者而觀之，機杼如一，使轉不異，至於結體纖重，末也。溥儒識。

鈐印：「溥儒」。

-Certain sections of the paper appears greyish. Light creases can be found on top and that can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

私人收藏溥儒、于右任兩家書畫（編號1394-1398）

本輯出自資深新聞工作者張力耕舊藏。張氏，一九二一年生，入讀中央政治學校新聞系，四八年畢業。後渡海遷台，服務於〈中央日報〉，負責採訪文化教育新聞，故與文藝界人士往來甚密。先後主理〈大華晚報〉副刊及台灣電影公司〈電視周刊〉編務。後移居美國。

註：溥心畬習字極重臨古，反對率意揮毫，無度而過。少年時，家藏晉唐宋元墨蹟尚未散失，「日夕吟習，並雙鉤數十百本，未嘗間斷，亦未嘗專習𓂃一家也」。本卷似先生渡海前臨習宋四家之作，四帖皆為清宮舊藏，不求筆劃形態絕對肖似，而意在體會用筆精神。每論宋四家，必言其用筆胎息唐書，出自顏真卿等數家，即本卷跋中所謂「機杼如一✃，使轉不異」，變者不過體勢，「至於結體纖重，末也」，則是他一貫認為之「形體因時變遷，用筆千古不易」觀點。