款識：東溟冷枚畫

鈐印：「冷枚字吉臣印」、「金門畫史」

游義卿主編，《文物選粹1990》，台灣，中國民國文物藝術品收藏家協會，1990，頁205，圖版174

- With minor silk loss, minor cracks and creases - With minor humidity stains - The silk bears a tanned tone - The painting should be less reddish comparing to the catalogue image
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：冷枚，字吉臣，胶州人，師從清初宮廷畫家焦秉貞，是一位經歷康、雍、乾三代皇帝的宮廷畫家。畫風以細致工整著稱，工山水、人物，曾參與繪畫多件重要作品，如《避暑山莊圖》等。其名字未記錄於雍正年間造辦處檔案中，估計當時是被吸納到弘曆王府作畫，乾隆帝登基後，再被召入皇宮作畫。本幅亦載於潘深亮先生的文章中，推測屬此時期的作品。見潘深亮，〈清代宮廷畫家冷枚生平及其藝術考析〉，《榮寶齋》，第5期，2008，頁205-211。