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拍品 2840
  • 2840

秦風

估價
120,000 - 180,000 HKD
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招標截止

描述

  • Qin Feng
  • 文明景觀之二
  • 設色絹本
    鏡框
二〇〇五年作

款識
Qin Feng。

來源

現藏者直接購自藝術家本人

Condition

Overall in very good condition. Framed size: 154.9 x 118.7 cm; 61 x 46 3/4 in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Qin Feng's boldly gestural compositions are a fusion of symbols that beautifully transcribe the artist's personal journey: He spent his youth as a shepherd on the plains of Xinjiang where local culture is largely influenced by Islamic tradition but governed by modern China. After graduating from the Shandong Institute of Art, he was invited to Germany in 1995 as a curator and artist in residence, which complemented his Eastern art training with concepts in Western art history. Qin Feng's brushwork belies the complexity of identity and power in contemporary society today. His belief that "modern civilisation will not escape its predecessors' fate," is the foundation for his Civilisation Landscape series as visualised in the present lot (lot 2840). The lyrical combination of the impulses of action-painting with the tradition of Chinese calligraphy is a symbolic fusion of East and West that mirrors the artist's background. Having endured various challenges during his childhood in China, Qin Feng manifests a remarkably exuberant, yet viscerally powerful, attitude towards life in his art—one that also transcends national boundaries and emphasises a common spirit of expression.