款識：澗戶桃花粲徫霞，長松千尺綴妍葩。相逢世外清玄客，譚變滄桑日未斜。李營丘畫法。為元子辭社長壽并題，蜨叟藍瑛。鈐印：藍瑛之印、田尗

一、《絹紙行旅—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九九八年二月廿八日—四月十九日
二、《詞意流傳—跨越四百年的中國繪畫》，納什維爾弗里斯視覺藝術中心，二〇〇七年六月廿二日—十月七日
三、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年四月廿七日—九月二日

一、《絹紙行旅—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九九八年，圖錄編號15，第54頁
二、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年，圖錄編號19，第66、88頁

- Silk bears tanned tone due to age. - Restoration of silk loss can be found. - Minor ink fading on the bottom part of the artist inscription.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

'Peach Blossom Spring, a handsome work by any definition, is amorphous and atmospheric in nature. The artist molded the mountainous shapes and forms in soft, curling movement. The brushwork tends to be embedded in these landscape motifs instead of asserting its power over them. We also detect the artist’s interest and enjoyment in evolving a complex foreground with cascades, flowering plants, and other special intricacies.' 
- Journeys on Paper and Silk, p. 54