- 25
胡里歐·岡薩雷斯
描述
- Julio González
- 《毛髮》
- 款識:銘刻J. Gonzalez ©、標記7/8及鑄造廠印章E. Godard Fondr
- 青銅
- 高(不包括基座):28.5公分
- 11 1/4英寸
來源
💙Private Co𒀰llection, Paris (acquired from the above in the 1980s)
Private Collection (acquired from the above)
出版
Marco Züblin, 'González: nuove materie, nuovi spazi', in Corriere del Ticino, Lugano, 25th 🐬October 1983,💙 another cast illustrated
Margit Rowell, 'Metal Draw in Space: González at Guggenheim', in Art/World, no. 7, New York, 🎀March 1983, another cast illustr♋ated p. 1
Jörn Merkert, Julio González. Catalogue raisonné des sculptures, Milan, 1987, no. 167, aꦯnother cast illustrated p. 173
拍品資料及來源
Describing the works of this period Brigitte Leal writes: ‘the series of linear sculptures created between 1930 and 1935 show how the artist, thanks to his great skill as a metalworker, invented a mode of expression specific to metal, a writing in space […] that produced hollowed-out forms, reduced to geometric and abstract outlines […]. La Chevelure constitutes the apogee of this process of abstraction […] the cluster of thorny hooks at the top of a perfect circle formed by La Chevelure […] are striking for their formal perfection which are in the same vein as Miró’s ideograms whilst alluding to a world charged with a Picassian rapacity’ (B. Leal, in Julio González (exhibitioꦺn ca🐬talogue), Centre Pompidou, Paris, 2007, p. 128, translated from French).