拍品 1298
- 1298
袁枚(1716-1797)、王文治(1730-1802)、駱綺蘭(1754-?) 詩文酬唱
估價
35,000 - 50,000 HKD
Log in to view results
招標截止
描述
- Yuan Mei (1716-1797), Wang Wenzhi (1730-1802), Luo Yilan (1754-?)
- 水墨紙本 扇面 鏡框
- ink on paper, fan leaf, framed
款識：
〈袁〉
萬里遊歸說武夷，江山成就六年詩；
而今自笑無遊處，閒倚柴門數竹枝。
三兩人家設綺筵，招儂同醉落花天；
緣何不掃陳蕃榻，生性吳蠶怕獨眠。
草木爭春各不仝，碧桃文杏兩般紅；
竹因葉密聲招雨，蘭為香多性愛風。
春日偶吟。青士弟教錄三首。袁枚。
〈王〉
夜月如冰透碧紗，凝香欹枕髩堆鴉；
八關近日孤眠慣，空負詩人茉莉花。
謝友人惠茉莉花作，為青士弟錄之。文治。
〈駱〉
一開詩扇艷陽天，二老何須話夜眠；
久是孤眠知味妙，不成仙境亦成仙。佩香的筆。
鈐印：
〈袁〉 「袁枚」、「子才的筆」、「小倉山房」。
〈王〉 「文」「治」、「放下」。
〈駱〉 「駱氏綺蘭」。
藏印：「慧吾珍藏」、「天景樓」、「東官莫氏」、「莫頌孫印」。
〈袁〉
萬里遊歸說武夷，江山成就六年詩；
而今自笑無遊處，閒倚柴門數竹枝。
三兩人家設綺筵，招儂同醉落花天；
緣何不掃陳蕃榻，生性吳蠶怕獨眠。
草木爭春各不仝，碧桃文杏兩般紅；
竹因葉密聲招雨，蘭為香多性愛風。
春日偶吟。青士弟教錄三首。袁枚。
〈王〉
夜月如冰透碧紗，凝香欹枕髩堆鴉；
八關近日孤眠慣，空負詩人茉莉花。
謝友人惠茉莉花作，為青士弟錄之。文治。
〈駱〉
一開詩扇艷陽天，二老何須話夜眠；
久是孤眠知味妙，不成仙境亦成仙。佩香的筆。
鈐印：
〈袁〉 「袁枚」、「子才的筆」、「小倉山房」。
〈王〉 「文」「治」、「放下」。
〈駱〉 「駱氏綺蘭」。
藏印：「慧吾珍藏」、「天景樓」、「東官莫氏」、「莫頌孫印」。
來源
近代廣東收藏家梁慧吾「天景樓」舊藏
Condition
-Signs of abrasion can be found on right and left of the leaf, where a character and a seal are affected. Tiny areas of paper losses can be found along the upper edge of the leaf and they have been improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
上款：「青士」乃高雲（1759- ？），江蘇丹徒人，有〈雲笈山房合集〉存世。高青士受學於王文治，王氏晚年詩中屢有提及，形容其「高生煙霞骨，蚤歲證禪理。所來多契闊，把袂逾可喜」。
註：本箑為袁枚、王文治、駱綺蘭為高雲所書。駱綺蘭，字佩香，乾隆五十六年（1791）左右始學詩於袁、王二師，此箑當書於此後，詩中「二老何須話夜眠」句乃指袁、王所錄詩句皆有「獨眠」、「孤眠」之謂，應一時興至，有感而抒，後人可略想師徒一眾，於春夏麗日，賦詩書扇之愜意暢懷。
「五十萬卷樓」藏名家書畫（編號1290-1303）
註：本箑為袁枚、王文治、駱綺蘭為高雲所書。駱綺蘭，字佩香，乾隆五十六年（1791）左右始學詩於袁、王二師，此箑當書於此後，詩中「二老何須話夜眠」句乃指袁、王所錄詩句皆有「獨眠」、「孤眠」之謂，應一時興至，有感而抒，後人可略想師徒一眾，於春夏麗日，賦詩書扇之愜意暢懷。
「五十萬卷樓」藏名家書畫（編號1290-1303）
本輯乃近世東莞藏書家莫伯驥（1878✅-1958）「五十萬卷樓」舊藏，亦此聞名粵省之收藏第三度於香港蘇富比釋出。莫家藏書可溯源至晚唐學士莫宣卿，可謂陳編世守，嬋嫣不絕，至伯驥已是麻涌莫氏第廿八代，從商致富，然甘飯蔬食，癡迷古書，無閥閱之氣，藏必研究，五十萬卷書外尚有著作數十種。惜身逢亂世，藏書著述或毀於戰火，或散落人間，聚散無常，自古如是。
四十年代初，莫伯驥隨子培樾遷居澳門，方得一片寧靜，然終究無力再搜集古書，衹留部份前賢學人翰墨，寄想過往。伯驥先生曾與友人言收藏：「予無力收書畫，但藏書家如潘文勤，家亭諸公手翰，則頗有之。予蓋欲得藏書家之墨迹以寄其心情也」。本輯集書畫十四件，除賓虹山水，袁枚、吳鼒、阮元、顧莼、張惠言、盛昱等皆乾嘉道光😼年間藏書家、學者、金石家之手跡，可證蒐集旨實出於藏書世家經世研學之思路。而黃賓虹〈多蔭書屋圖〉（編號1303）與之前釋出〈五十萬卷樓圖〉、〈庸言書屋圖〉，合為莫伯驥、培樾父ও子四六年向畫家定製一套三幀，寫其藏書樓與父子二人書屋，丹青燦然，足令觀者睹畫思賢。